Quotes about photograph
photography thinking artist
Part of the reason that these attempts at explanation fail, I think, is that photographers, like all artists, choose their medium because it allows them the most fully truthful expression of their vision... as Robert Frost told a person who asked him what one of his poems meant, 'You want me to say it worse?' Robert Adams
photography reality views
... If we consider the difference between William Henry Jackson packing in his camera by mule, and the person stepping for a moment from his car to take a picture with his Instamatic, it becomes clear how some of our space has vanished; if the time it takes to cross space is a way by which we define it, then to arrive at a view of space 'in no time' is to have denied its reality. Robert Adams
photography thinking landscape
We rely, I think, on landscape photography to make intelligible to us what we already know. Robert Adams
photography art landscape
There is always a subjective aspect in landscape art, something in the picture that tells us as much about who is behind the camera as about what is in front of it. Robert Adams
photography quality alive
If I like many photographers, and I do, I account for this by noting a quality they share - animation. They may or may not make a living by photography, but they are alive by it. Robert Adams
photography jobs views
The job of the photographer, in my view, is not to catalogue indisputable fact but to try to be coherent about intuition and hope. This is not to say that he is unconcerned with the truth. Robert Adams
photography taken thinking
Landscape pictures can offer us, I think, three verities: geography, autobiography, and metaphor. Geography is, if taken alone, sometimes boring, autobiography is frequently trivial, and metaphor can be dubious. But taken together, as in the best work of people like Alfred Stieglitz and Edward Weston, the three kinds of information strengthen each other and reinforce what we all work to keep intact - the affection for life. Robert Adams
photography achievement doe
When photographers get beyond copying the achievements of others, or just repeating their own accidental first successes, they learn that they do not know where in the world they will find pictures. Nobody does. Each photograph that works is a revelation to its supposed creator. Robert Adams
photography commitment rocks
The thing that keeps you scrambling over the rocks, risking snakes, and swatting at the flies is the view. It is only your enjoyment of and commitment to what you see, not to what you rationally understand, that balances the otherwise absurd investment of labor. Robert Adams
photography community may
Your own photography is never enough. Every photographer who has lasted has depended on other peoples pictures too - photographs that may be public or private, serious or funny, but that carry with them a reminder of community. Robert Adams
photography inspiration light
Light is my inspiration. My photographic images search for dimensions that words cannot touch- the result of intense responses to personal experiences. I do not wish to "record," but rather to touch upon the illusive meanings which I perceive and try to comprehend in this limitless universe. Ruth Bernhard
photography art artist
Photography is art when it's used by an artist. Ruth Bernhard
photography weapons cameras
Never ever say the word shoot when you are taking a picture with a camera because a camera is not a violent weapon. Ruth Bernhard
photography light giving
My quest, through the magic of light and shadow, is to isolate, to simplify and to give emphasis to form with the greatest clarity. To indicate the ideal proportion, to reveal sculptural mass and the dominating spirit is my goal. Ruth Bernhard
photography real eye
What the human eye sees is an illusion of what is real. The black and white image transforms illusions into another reality. Ruth Bernhard
photography photograph intellect
I expect photographs to find me. I never thought of looking for them. I instinctively put them there. My intellect had nothing to do with it. Ruth Bernhard
photography instinct
You have to follow your instinct all the time. Otherwise you don't make it. Ruth Bernhard
photography trying body
Every day I am aware of the flow and constant change; perhaps I am at the edge of discovering what more our bodies might be able to teach about the spirit of life. At least, I am always exploring and trying to understand our relationship to the whole universe. Ruth Bernhard
photography spiritual emotional
For me, the creation of a photograph is experienced as a heightened emotional response, most akin to poetry and music, each image the culmination of a compelling impulse I cannot deny. Whether working with a human figure or a still life, I am deeply aware of my spiritual connection with it. In my life, as in my work, I am motivated by a great yearning for balance and harmony beyond the realm of human experience, reaching for the essence of oneness with the Universe. Ruth Bernhard
photography important buttons
If you can't make the image bigger or more important than what you see, then don't push the button Ruth Bernhard
photography target timeless
Woman has been the target of much that is sordid and cheap, especially in photography. To raise, to elevate, to endorse with timeless reverence the image of woman, has been my mission. Ruth Bernhard
photography inspiration curves
Light is my inspiration, my paint and brush. It is as vital as the model herself. Profoundly significant, it caresses the essential superlative curves and lines. Light I acknowledge as the energy upon which all life on this planet depends. Ruth Bernhard
photography soul too-much
There is no such thing as taking too much time, because your soul is in that picture. Ruth Bernhard
photography people trying
A person cannot learn to be a photographer. He can only cultivate what he already has. I try to make people aware that they have something very precious to cultivate. Ruth Bernhard
photography not-interested ifs
If youre not interested in life, then photography has no meaning Ruth Bernhard
photography falling-in-love love-you
Fall in love. Every day. With everything. With life. If you can fall in love, you can be a photographer. I think that is absolutely essential. Ruth Bernhard
photography helping photograph
I never question what to do, it tells me what to do. The photographs make themselves with my help. Ruth Bernhard
photography ideas cry
If you are not passionately devoted to an idea, you can make very pleasant pictures but they won't make you cry. Ruth Bernhard
photography ambition action
The ambition of instantaneous photography... was that of preserving the spontaneity of action and avoiding any indication that the presence of the picture taker had a modifying influence on what was going on. Rudolf Arnheim
photography powerful doe
The camera does not know what it takes; it captures materials with which you reconstruct, not so much what you saw as what you thought you saw. Hence the best photography is aware, mindful, of illusion and uses illusion, permitting and encouraging it - especially unconscious and powerful illusions that are not usually admitted on the scene. Thomas Merton
photography eras rays
A new era in the physiological investigation of linguistic sounds was opened up by X-ray photography. Roman Jakobson
photography artist practice
Usually the amateur is defined as an immature state of the artist: someone who cannot — or will not — achieve the mastery of a profession. But in the field of photographic practice, it is the amateur, on the contrary, who is the assumption of the professional: for it is he who stands closer to the (i)noeme(i) of Photography. Roland Barthes
photography winter secret
The Winter Photograph was my Ariadne, not because it would help me discover a secret thing (monster or treasure), but because it would tell me what constituted that thread which drew me toward Photography. I had understood that henceforth I must interrogate the evidence of Photography, not from the viewpoint of pleasure, but in relation to what we romantically call love and death. Roland Barthes