Quotes about photograph
photography father firsts
I love photography and first editions. I have that in my genes. My father was an archivist. Winona Ryder
photography thinking people
I shutter to think how many people are underexposed and lacking depth in this field. Rick Steves
photography thinking way
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century. Vik Muniz
photography hate confused
I hate to say I'm a photographer, because I learned photography as I went along. But I also hate to say I'm a painter, a draftsman, even an artist. I think it's good when you're confused about what you are; it means you haven't defined yourself as an artist yet. Vik Muniz
photography art serious
In the last workshop I taught, a woman flew in from Thailand. She's a medical doctor in Bangkok. I asked her in her one-on-one session where she wanted photography to be in her life.Did she want a second career? Was it about earning money? Or was it art? And she said "None of those. I want photography to be serious in my life." It would be like someone wanting music, like piano playing, to be a richer, deeper, and maybe even harder experience. Sam Abell
photographer impossible achieve
My least favorite photographer to have would be myself. Someone who wanted a career at National Geographic. Because it's almost mathematically impossible to achieve that. Sam Abell
photography appreciate photographer
When assignments were over, photography continued. One of the primary reasons it did was that I wanted and needed to have fresh work. Also, it's very stimulating to be around non-professional photographers. They're the ones with the purest flame burning about their photography. I appreciate that. Sam Abell
photograph
A very big part of the life of a photograph is the afterlife. Sam Abell
photography accomplishment students
I was asked by a student what my most significant accomplishment was at National Geographic, after thirty years, and I said that my career came to an appropriate close, and I still loved photography. Not everybody who spends their career at anything ends up fascinated and involved with it. Sam Abell
photography thinking photographer
I think that it's workshops, honestly, that have kept me keen about photography, and about my photography. My career as a workshop photographer came while I was at the Geographic in the late 70's, and has continued consistently since then. Sam Abell
photography interesting track
This might seem off the track, but an interesting thing to me that others could talk about better than I, but one of the growth areas in photographic education has been the so-called slow photography. Sam Abell
photography thoughtful thinking
The thing with my workshops is, photography is a thoughtful process. In an atmosphere of fast photography, and generally thoughtless, quick, automatic photography, I think that there is an interest in the slowed down, thoughtful approach. Sam Abell
photography curiosity done
I did it once, and National Geographic recruited me. I did it primarily out of curiosity. A lot of legendary photographers had worked on that campaign. Ernst Haas had done the early photography, and I knew him. There's a lore in photography about that campaign, and I was curious. Sam Abell
photography father dark
My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night. Sam Abell
photography spiritual artist
For spiritual companions I have had the many artists who have relied on nature to help shape their imagination. And their most elaborate equipment was a deep reverence for the world through which they passed. Photographers share something with these artists. We seek only to see and to describe with our own voices, and, though we are seldom heard as soloists, we cannot photograph the world in any other way. Sam Abell
photograph
Richard Prince's most famous photograph was made by me. Sam Abell
photography simplicity special
As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs. Sam Abell
photography energetic editorials
Editorial photography has to be energetic and visually competitive. Sam Abell
photography strong thinking
And that desire-the strong desire to take pictures-is important. It borders on a need, based on a habit: the habit of seeing. Whether working or not, photographers are looking, seeing, and thinking about what they see, a habit that is both a pleasure and a problem, for we seldom capture in a single photograph the full expression of what we see and feel. It is the hope that we might express ourselves fully-and the evidence that other photographers have done so-that keep us taking pictures. Sam Abell
photography wall ohio
'Woman on the Plaza,' with its distinct horizon, snow-like surfaces, wintry wall, stunning sunlight, sharp shadows, and hurrying figure, would become the most biographical of my photographs - an abstract image of the landscape and life of northern Ohio where I grew up and first practiced photography. Sam Abell
photography mistake mad
A mad, keen photographer needs to get out into the world and work and make mistakes. Sam Abell
photography appeals deny
Photographs that transcend but do not deny their literal situation appeal to me. Sam Abell
photography vivid scene
Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made. Sam Abell
photography light important
How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself. Sam Abell
photography moving thoughtful
But there is more to a fine photograph than information. We are also seeking to present an image that arouses the curiosity of the viewer or that, best of all, provokes the viewer to think-to ask a question or simply to gaze in thoughtful wonder. We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make. It is the kind of picture that makes you want to pick up your own camera again and go to work. Sam Abell
photography mean priorities
My first priority when taking pictures is to achieve clarity. A good documentary photograph transmits the information of the situation with the utmost fidelity; achieving it means understanding the nuances of lighting and composition, and also remembering to keep the lenses clean and the cameras steady. Sam Abell
photography art desire
Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay. Sam Abell
photography littles matter
It matters little how much equipment we use; it matters much that we be masters of all we do use. Sam Abell
photography photographer best-work
My best work is often almost unconscious and occurs ahead of my ability to understand it. Sam Abell
photography photographer asks
I like photographers-you don't ask questions. Ronald Reagan
photograph
I like to photograph democratically. William Eggleston
photography school downtown
My friend who I went to boarding school with was interested in photography. He insisted that I buy a camera and marched me downtown. William Eggleston
photography art black-and-white
Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me. William Eggleston