Quotes about photograph
photography waiting luck
Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates. Bill Brandt
photography eye thinking
It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures. A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned. To achieve his best work, the young photographer must discover what really excites him visually. He must discover his own world. Bill Brandt
photography paper shade
No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph. Bill Brandt
photography dark light
And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment. Bill Brandt
photography dare mediums
Photography is still a very new medium and everything must be tried and dare. Bill Brandt
photography mirrors exorcism
Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors. We have our images. Jean Baudrillard
photography real world
For me, the photography, in its purest form, is a variant of the fable. Another way of saving the appearances - a way of signifying, through this fabulous capture, that this supposed real world is always about to lose its meaning and its reality... Jean Baudrillard
photography reality age
It is perhaps not a surprise that photography developed as a technological medium in the industrial age, when reality started to disappear. It is even perhaps the disappearance of reality that triggered this technical form. Reality found a way to mutate into an image. Jean Baudrillard
photography reality suffering
So-called 'realist' photography does not capture the 'what is.' Instead, it is preoccupied with what should not be, like the reality of suffering for example. Jean Baudrillard
photography jobs class
Here’s a current example of the challenge we face: At the height of its power, the photography company Kodak employed more than 140,000 people and was worth $28 billion. They even invented the first digital camera. But today Kodak is bankrupt, and the new face of digital photography has become Instagram. When Instagram was sold to Facebook for a billion dollars in 2012, it employed only 13 people. Where did all those jobs disappear? And what happened to the wealth that all those middle-class jobs created? Jaron Lanier
photography thinking phones
[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer. Christian Marclay
photography eye quality
Photography is solitary and there are lags between seeing with your eyes and seeing through the lens, and then seeing the image on your computer.... I often see things after the fact. This revelatory quality includes a sense of playfulness, because you're not sure what the consequences are going to be. Christian Marclay
photography tasks use
Whenever the medium of photography is useful for a particular task, I use it. If another medium is more suitable I use that. Hans Haacke
photography important subjects
It's important to let your subjects be themselves. Herb Ritts
photography parent firsts
Actually, when I first started dabbling in photography, I was still working for my parents as a salesman. Herb Ritts
photography jobs thinking
Well, I liked it - that was the main thing. I liked it, but I didn't think of it in terms of a career. I didn't really know; I didn't really think about it. One thing just led to another until finally I quit my job as a salesman and found myself working as a photographer. Herb Ritts
photography art blood
Generally, the French highly promote culture and the arts, and photography is in their blood. Herb Ritts
photography wall dark
I never shot on sets, but if I was traveling somewhere or on location, I would always have my camera, and I'd always be - it's that kind of fly on the wall approach to photography, though. I don't engage the subject. I like to sneak around, skulk about in the dark. Jessica Lange
photography blessing filled
Photography was a blessing because it filled my time. Jessica Lange
photography starting-over acting
If I had to start over, I'd pursue photography - probably to the exclusion of acting. Jessica Lange
photography thinking acting
What I love about photography, and it's the same thing I love about acting, really, is that it forces you, like, right into the moment, where you can't be distracted, where you can't be, like, thinking about other things or ahead of yourself or behind yourself. Jessica Lange
photography pitfalls definitions
IT'S a pitfall to have a definition of photography, Jeff Wall
photography art average
For half a century photography has been the "art form" of the untalented. Obviously some pictures are more satisfactory than others, but where is credit due? To the designer of the camera? to the finger on the button? to the law of averages? Gore Vidal
photography art enjoy
I love photography and art-directing is something that I really would enjoy to do. Gianni Versace
photography mean people
Painting is traditional but for me that doesn't mean the academy. I felt a need to paint; I love painting. It was something natural - as is listening to music or playing an instrument for some people. For this reason I searched for themes of my era and my generation. Photography offered this, so I chose it as a medium for painting. Gerhard Richter
photography art mean
Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting but use painting as a means to photography. Gerhard Richter
photography reality yield
Photography has almost no reality; it is almost a hundred per cent picture. And painting always has reality: you can touch the paint; it has presence; but it always yields a picture - no matter whether good or bad. That's all the theory. It's no good. I once took some small photographs and then smeared them with paint. That partly resolved the problem, and it's really good - better than anything I could ever say on the subject. Gerhard Richter
photography reality next
I don't mistrust reality, of which I know next to nothing. I mistrust the picture of reality conveyed to us by our senses, which is imperfect and circumscribed. Gerhard Richter
photography perfect style
The photograph is the most perfect picture. It does not change; it is absolute, and therefore autonomous, unconditional, devoid of style. Both in its way of informing, and in what it informs of, it is my source. Gerhard Richter
photography art objectivity
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater objectivity of the photograph in order to correct my own way of seeing: for instance, if I draw an object from nature, I start to stylize and to change it in accordance with my personal vision and my training. But if I paint from a photograph, I can forget all the criteria that I get from these sources. I can paint against my will, as it were. And that, to me, felt like an enrichment. Gerhard Richter
photography cutting covered-up
But I would like to reach the point where I could cut up an illustrated magazine at random and see to it that the parts would each become a painting. I cannot properly explain it right now. Already now I am searching for the most boring and irrelevant photo material that I can find. And I would like to get to the point soon where this determined irrelevance could be retained, in favor of something that would be covered up otherwise by artifice. Gerhard Richter
photography art drawing
Unlike the photography and prints, I never catalogued, kept track of or exhibited the sketches. I sold some occasionally, but never saw myself as a graphic artist. They became more important to me thanks to the exhibition, however, and I realized that these drawings were quite interesting after all. Gerhard Richter
photography taken perfect
I've never taken a script to the stage or to principal photography and said, "This is perfect. This is as good as it can possibly be." It's not Shakespeare, you know; you know it can probably be better. Harold Ramis