Quotes about photograph
photography difficulty explicit
One of the difficulties of photography is that it is much better at being explicit than at being reticent. Teju Cole
photography average negative
Pay no heed to the average photographer's remarks upon "flat" and "weak" negatives. Probably he is flat, weak, stale, and unprofitable; your negative may be first-rate, and probably is if he does not approve of it. Ralph Waldo Emerson
photography brother artist
"Do not call yourself an "artist-photographer" and make "artist-painters" and "artist-sculptors" laugh; call yourself a photographer and wait for artists to call you brother." Ralph Waldo Emerson
photography writing thinking
"Though many painters and sculptors talk glibly of "going in for photography," you will find that very few of them can ever make a picture by photography; they lack the science, technical knowledge, and above all the practice. Most people think they can play tennis, shoot, write novels, and photograph as well as any other person - until they try." Ralph Waldo Emerson
photography thinking photographer
Many photographers think they are photographing nature when they are only caricaturing her. Ralph Waldo Emerson
photography light people
What I want is the world to remember the problems and the people I photograph. What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. I don't want people to look at them and appreciate the light and the palate of tones. I want them to look inside and see what the pictures represent, and the kind of people I photograph. Sebastiao Salgado
photography art years
I can be an artist a posteriori, not a priori. If my pictures tell the story, our story, human story, then in a hundred years, then they can be considered an art reference, but now they are not made as art. I'm a journalist. My life's on the road, my studio is the planet. Sebastiao Salgado
photography tip-of-the-iceberg littles
I tell a little bit of my life to them, and they tell a little of theirs to me. The picture itself is just the tip of the iceberg. Sebastiao Salgado
photography courses
Of course, I won't be abandoning photography, because it is my life. Sebastiao Salgado
photography people community
We live in a society where we never prepare people to be a community. Sebastiao Salgado
photography paris sao-paulo
I discovered that close to half the planet is 'pristine.' We live in towns such as London, Paris or Sao Paulo and have the impression that all the pristine areas are gone, but they are not. Sebastiao Salgado
photography lenses
I looked through a lens and ended up abandoning everything else. Sebastiao Salgado
photography machines eras
I have been photographing the portrait of an end of an era, as machines and computers replace human workers. What we have in these pictures is an archeology. Sebastiao Salgado
photography believe ego
When I was just starting out, I met Cartier-Bresson. He wasn't young in age but, in his mind, he was the youngest person I'd ever met. He told me it was necessary to trust my instincts, be inside my work, and set aside my ego. In the end, my photography turned out very different to his, but I believe we were coming from the same place. Sebastiao Salgado
photography ideas giving
When you work fast, what you put in your pictures is what your brought with yoiu - your own ideas and concepts. When you spend more time on a project, you learn to understand your subjects. There comes a time when it is not you who is taking the pictures. Something special happens between the photographer and the people he is photographing. He realizes that they are giving the pictures to him. Sebastiao Salgado
photography photographer persons
It's not the photographer who makes the picture, but the person being photographed. Sebastiao Salgado
photography way moments
There comes a moment when it is no longer you who takes the photograph, but receives the way to do it quite naturally and fully. Sebastiao Salgado
photography school economist
I am a former economist. I never went to photography school to learn photography. Sebastiao Salgado
photography people giving
There are moments that you suffer a lot, moments you won't photograph. There are some people you like better than others. But you give, you receive, you cherish, you are there. When you are really there, you know when you see the picture later what you are seeing. Sebastiao Salgado
photograph ideology
You photograph with all your ideology. Sebastiao Salgado
photography paris wife
I discovered photography completely by chance. My wife is an architect; when we were young and living in Paris, she bought a camera to take pictures of buildings. For the first time, I looked through a lens - and photography immediately started to invade my life. Sebastiao Salgado
photography too-much photography-love
Of course I will continue photography. I love photography. But when you become old, it's too much. Sebastiao Salgado
photography son degradation
As in any person's life, there have been difficult moments: I have a son with Down's syndrome; through my photography, I have witnessed all manner of human degradation. But there have also been very happy moments. Sebastiao Salgado
photography opportunity reality
Most of the information we now get is through television and is mutilated. Photography offers the opportunity to spend much more time on a topic. It's relatively cheaper medium, and can allow a photographer really to live in another place, show another reality, get closer to the truth. Sebastiao Salgado
photography way seeing
...my way of photographing is my way of life. I photograph from my experience, my way of seeing things... Sebastiao Salgado
photography believe communication
I have tried to bring about better communication between people. I believe that humanitarian photography is like economics. Economy is a kind of sociology, as is documentary photography. Sebastiao Salgado
photography black-and-white views
In the end, the only heritage we have is our planet, and I have decided to go to the most pristine places on the planet and photograph them in the most honest way I know, with my point of view, and of course it is in black and white, because it is the only thing I know how to do. Sebastiao Salgado
photography religious language
I'm not a religious person. The language of photography is symbolic. Sebastiao Salgado
photography art wide
For me, art is such a wide concept - anything can be art. Sebastiao Salgado
photography ideas giving
So many times I've photographed stories that show the degradation of the planet. I had one idea to go and photograph the factories that were polluting, and to see all the deposits of garbage. But, in the end, I thought the only way to give us an incentive, to bring hope, is to show the pictures of the pristine planet - to see the innocence. Sebastiao Salgado
photography two giving
I work alone. Humans are incredible, because when you come alone, they will receive you, they accept you, they protect you, they give you all things that you need, and they teach you all things you must know. When you come with two persons or three persons, you have a group in front of them. They don't discuss with the new persons what is important to them... Sebastiao Salgado
photography light appreciate
I don't want anyone to appreciate the light or the palette of tones. I want my pictures to inform, to provoke discussion - and to raise money. Sebastiao Salgado
photography men race
We are one human race, and there must be understanding among all men. For those who look at the problems of today, my big hope is that they understand. That they understand that the population is quite big enough, that they must be informed that they must have economic development, that they must have social development, and must be integrated into all parts of the world. Sebastiao Salgado