Quotes about photography
photography philosophical thinking
John Szarkowski In practice a photographer does not concern himself with philosophical issues while working; he makes photographs, working with subject matter that he thinks will make the pictures.
photography lying discovery
John Szarkowski Like an organism, photography was born whole. It is in our progressive discovery of it that its history lies.
photography illumination media
John Szarkowski One of the leading uses of photography by the mass media came to be called photojournalism. From the late 'twenties' to the early 'fifties' what might have been the golden age of this speciality - photographers worked largely as the possessors of special and arcane skills, like the ancient priests who practiced and monopolized the skills of pictography or carving or manuscript illumination. In those halcyon days the photographer enjoyed a privileged status.
photography teacher luck
John Szarkowski Luck is the attentive photographer's best teacher.
photography attitude taken
John Szarkowski The invention of photography provided a radically new picture-making process - a process based not on synthesis but on selection. The difference was a basic one. Paintings were made - constructed from a storehouse of traditional schemes and skills and attitudes - but photographs, as the man on the street put, were taken.
photography best-picture
John Szarkowski The very best pictures adapt themselves to many changes in meaning.
photography writing editing
John Szarkowski Photography is a system of visual editing. At bottom, it is a matter of surrounding with a frame a portion of one's cone of vision, while standing in the right place at the right time. Like chess, or writing, it is a matter of choosing from among given possibilities, but in the case of photography the number of possibilities is not finite but infinite.
photography sometimes existence
John Szarkowski They were ... pure and unadulterated photographs, and sometimes they hinted at the existence of visual truths that had escaped all other systems of detection.
photography lying simplicity
John Szarkowski The simplicity of photography lies in the fact that it is very easy to make a picture. The staggering complexity of it lies in the fact that a thousand other pictures of the same subject would have been equally easy.
photography world impossible
John Szarkowski Photography is the easiest thing in the world if one is willing to accept pictures that are flaccid, limp, bland, banal, indiscriminately informative, and pointless. But if one insists in a photograph that is both complex and vigorous it is almost impossible
photography photographer contests
John Szarkowski Photography is a contest between a photographer and the presumptions of approximate and habitual seeing. The contest can be held anywhere ...
photography essence crafts
John Szarkowski To quote out of context is the essence of the photographer's craft.
photography luck foresight
John Stuart Mill Photography is a brief complicity between foresight and luck.
photography disappointment thinking
John Sexton I think one of the aspects of photography that remains for me is I find the process still frustrating. The counter to that is that it's still very exciting. If you didn't have the frustration, you wouldn't have the excitement. If you didn't have the disappointment, you wouldn't have the magical intoxication of this process working.
photography sunset light
John Sexton "It is light that reveals, light that obscures, light that communicates. It is light I "listen" to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quiet, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening - a time for making photographs. "
photography trying needs
John Sexton You can also see sometimes that the best pictures are the ones where you didn't try so hard, where you were just enjoying the process - and you didn't even know why you were making the picture. It felt right. If someone asked, 'Why are you making this picture?' you probably couldn't describe it very well - and that's why it needs to be a photograph.
photography taken photographer
John Sexton Pictures you have taken have an influence on those that you are going to make. That's life!
photography tools photographer
John Sexton I find the single most valuable tool in my darkroom is my trash can
photography thinking self
John Sexton Obviously, we can see what was in front of the camera, but if a photograph is honestly made, it's a bit of a self-portrait. I think it's impossible for a photographer who is working honestly to keep this from happening.
photography film exposure
John Sexton To me, photography is 90% a retrospective experience. There's the part of pursuing the image, and exposing the film, but once you make the exposure, you're always looking backwards in time. I like that aspect of photography.
photography pay way
John Sexton The greatest compliment that I know how to pay another photographer is to say, 'I never would have made that photograph myself. I'm sure glad you did.' You hope along the way that maybe, once in a while, you do that for someone else.
photography technology space
John Sexton In my mind I needed a symbol of today's technology, and I realized that what I wanted to photograph was the Space Shuttle. And so that's where Places of Power came into being.
photography artist views
John Sexton When I'm about ready to press the cable release on the View camera, I've tried to anticipate some of the challenges I'm going to encounter in the darkroom.
photography soul dedicated
John Sexton He was a very generous soul and was exceptionally dedicated to the medium of photography.
photography love-is environment
John Sexton I make photographs and still make photographs of the natural environment. It's a love because that was part of my life before I was involved in photography.
photography trying months
John Sexton I took a workshop from him a few months after that. That experience changed my whole approach to photography. At that workshop in Yosemite in 1973 I decided I wanted to try and see if I could pursue this for myself, and I'm still trying.
photography teaching phones
John Sexton In 1979, I received a phone call from Ansel Adams asking me if I would be willing to consider coming to work for him. I was teaching photography in Southern California at that point.
photography kids saws
John Sexton So when I became interested in photography and further being inspired by the work that I saw of Ansel and others, it was a natural extension to go back to these places that I knew as a kid and explore them with my camera.
photography eye editors
John Sexton A photographer needs to be a good editor of negatives and prints! In fact, most of the prints I make are for my eyes only, and they are no good. I find the single most valuable tool in the darkroom is my trash can - that's where most of my prints end up.
photography unique media
John Sexton I find the surface of a photograph a thing of beauty in and of itself, and it is this surface that makes a photograph unique relative to other two-dimensional media.
photography school college
John Sexton And friends of mine that had photography class in high school would develop the film and make prints and I'd take them back to the track and give 'em away or try and sell them. Much to my parents' dismay, I majored in photography in college.
photography magic photographer
John Sexton For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.