Quotes about son
song writing men
Men are allowed to write songs about people and women are allowed to write songs about women Kristin Hersh
song writing
The songs keep on writing themselves, and I really love them. It's as close as I get to a religion.
song jesus thinking
I auditioned for a solo in church and got it. I was about seven and I sang a song called, 'Jesus, I Heard You Had a Big House' and I remember people standing up at the end and me thinking, 'Oh, I think I'm going to like this.' That's how it all began. Sounds funny to say you got your start in church, but I did. Kristin Chenoweth
song air voice
And the great spirit of darkness spread a shroud over me...everything was silent-everything. But upon the heights soughed the everlasting song, the voice of the air, the distant, toneless humming which is never silent. Knut Hamsun
song drama book
The graveyard is the richest place on the surface of the earth because there you will see the books that were not published, ideas that were not harnessed, songs that were not sung, and drama pieces that were never acted. Myles Munroe
son four letters
You are a fool in four letters, my son. Moliere
song always-trying saws
Because too many times in life there's just one person that I met, just one thing that I heard, one movie that I saw, one song that was sung, that changed my life. So I'm always trying to stay awake to be in the moment, and capture the moments when they come, because they come and go all the time. Mike Singletary
song jumping quiet
I usually like to make really dramatic songs that are dynamic from part to part - a lot of jumping from really quiet to really loud. Mike Shinoda
song smell rats
When I listen to songs, I can smell a rat. I like songs that speak to me with some deeper truth. Mike Dirnt
song thinking rocks
Sometimes I think that no situation actually fits the technical definition of irony, and that the word just sort of hangs out in the linguistic ether singing a Siren song that's designed to crash the unsuspecting against the jagged rocks of pedantry. Mike Duncan
song moving looks
If you look at a lot of the songs I've been involved in, there's always been this retro vibe. I started getting worried that I wasn't moving forward very much, nor was I even in tune with the music today. I almost scoffed at it. Nate Ruess
song powerful real
Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
song writing people
It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.
song writing simple
It's as simple as finding something on the street and then writing a jingle. If I'm driving and I have my turn signal on and it's rhythmic, maybe I just write a song to that.
song queens light
The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.
song thinking talking
I think our particular sound has come by just not adhering to any specific sound. For us, it's about the song, and being able to fit in to what is appropriate. When we sit down, we're not talking about what type of band we're gonna be within a specific genre - there's a uniqueness to all of us individually that throws putting anything in a box out the window.
song hate insane
As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
song writing want
I don't want to be known for anything other than writing songs.
song thinking important
If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.
song hate night
I worry that if I enjoy something - like the songs on 'Some Nights' are about wondering about who you are. I'm never quite sure and I'd hate to feel sort of content and get a good sense of who I am because if I know one thing, that's not me. I don't mind not necessarily being happy about it. And that's fine.
song optimism levels
There’s always some level of optimism in every single song.
song writing play
I don't play an instrument - I just write in my head, and I usually hear fully formed songs. 'We Are Young' turned out so much like it was in my head. But it also exceeded all my expectations.
song people looks
People say I look younger than the music I'm doing just because the songs are older. Hopefully I can keep my youthful look! Natalie Cole
song writing worst-moments
My song-writing has always been just about my life - usually my worst moments. Natalia Kills
son love-is laughing
Love is hearing my son laugh. Kelly Stables
song get-well grateful
I will be very grateful that I get to go out and play a song and get well paid for it. Kathy Valentine
song cds voice
There is a string attached to Maia Sharp's voice. And when she sings, you find that the other end is attached to your gut. Her voice is lush and sensual and the emotions she articulates resonate with the small feelings we have that sometimes are hard to face..there is an edge to her songs, but also a softness...she is lyrical and conversational at the same time. Her CD was the only one in my machine for a month. Her work inspires me to dig deeper. Kathy Mattea
song badass self
Have a go-to pump up song. Mine is Shakira's 'Waka Waka' from the 2010 World Cup (don't judge). Play it only when you're ready to turn into your most badass self. Kathryn Minshew
song emotional connections
I always choose songs that I have an emotional connection to, and I often feel myself getting very emotional when I sing. Katherine Jenkins
song believe done
With 'Believe' bringing really big success for me outside of the U.K. for the first time, it meant I have been touring around the world and that led to a gap from the studio. I really feel like the gap has done me the world of good. Throughout that time I was able to collect songs that I really loved.
song believe records
I have to believe that I know what's best for me. For instance, I choose all my songs. I never record anything I don't want to record. No one tells me what concerts to do.
song driven always-working
I'm always working on lots of songs at once. For me it's very emotionally driven. Kate Brown
song real long
I find myself improvising a lot. But, sometimes I'll come us with a chorus or just one line and it will sort of hang out for a long time before it get's flushed out into a real living song...