Quotes about writ
writing men thinking
Cheryl Strayed Writing is hard for every last one of us—straight white men included. Coal mining is harder. Do you think miners stand around all day talking about how hard it is to mine for coal? They do not. They simply dig.
writing artist doom-and-gloom
Cheryl Strayed People do support themselves as artists and writers, so there's no need to be all doom and gloom about it. You just have to push forward. You have to follow your vision and hope for the best. You have to write for love.
writing
Cheryl Strayed Write like a motherfucker.
writing figures edits
Cheryl Strayed I write to find what I have to say. I edit to figure out how to say it right.
writing rocks old-and-new
Cheryl Mendelson I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.
writing lists pay
Chelsea Quinn Yarbro When you're a mid-list writer, it pays to write fast.
writing artist people
Cher Lloyd I find it so funny how people that don't write the music, and have no involvement in it, can make such huge decisions on behalf of artists.
writing sadness able
Charlotte Gainsbourg I'd love to be able to write again, but I'm so repetitive. And it was all about fear. Never positive. Just indulgent about my sadness.
writing fighting teeth
Charlize Theron As actors, we were fighting that tooth and nail because of fear, because language is a crutch and dialogue is a crutch, and it's so easy to just have a great writer write you a line.
writing age damn
Charles Lamb Damn the age. I'll write for antiquity.
writing romance kind
Charlaine Harris I don't write the kind of 'happily ever after' that romance readers enjoy.
writing television screens
Charlaine Harris I freely admit I know nothing about television or writing for the screen.
writing please ifs
Charlaine Harris If it pleases you and you can write at all, it's gonna please somebody else.
writing names goal
Charles Baudelaire Poetry has no goal other than itself; it can have no other, and no poem will be so great, so noble, so truly worthy of the name of poem, than one written uniquely for the pleasure of writing a poem.
writing literature fifty
Charles Baudelaire For each letter received from a creditor, write fifty lines on an extraterrestrial subject and you will be saved.
writing poetry literature
Charles Baudelaire Always be a poet, even in prose.
writing stuff emotion
Chantal Kreviazuk I'm not writing just about melancholy stuff anymore, I made a point to cover a wide range of emotions.
writing thinking people
Chantal Kreviazuk If I'm writing strictly for others, how does that show what I'm experiencing or thinking? I just got to a point where I realized I could be as personal as I wanted to be and people could relate to those situations if they so choose.
writing thinking historical-novels
Chang-Rae Lee Historical novels are about costumery. I think that's the magic and mystery of fiction. I don't want to write historical fiction but I do want the story to have the feel of history. There's a difference.
writing issues trying
Chang-Rae Lee I try to be aware of what I'm concerned about, aware of how I feel about myself in the world, aware of how I feel about the issues of the day, but I guess I don't want to write essays in my head about my craft and maybe it's because I teach and talk about craft of other writers as a reader. I feel the moment I start doing that is when it's going to kill me.
writing thinking people
Chang-Rae Lee I think that's great - I just try not to be one of those people. I find the more I think about it, the less free I feel when I write and when I work.
writing thinking novelists
Chang-Rae Lee Maybe someone's who's a different kind of writer [would think otherwise] - someone who'd be just as comfortable writing essays on what their novels are about. Sometimes you feel like certain novelists are like that.
writing thinking perspective
Chang-Rae Lee Not to any really influential effect, but certainly there have been comments that have surprised me. It's surprising sometimes to get particular perspectives on your work, and it's enlightening sometimes to know that non-writers and readers out there have certain assumptions about everything that I both want to keep in mind and want to forget about why I write, and about the connection between me as a private person and the stuff that I think about on the page.
writing people culture
Chang-Rae Lee Before I had published anything, I still hung out with people who liked to write. None of us had published, so there was no talk about the business, and there was probably a lot more angsty talk back then. But these days maybe there are some more laments about the culture, but I would say no.
writing cutting boys
Chang-Rae Lee Part of writing a novel is being willing to leap into the blackness. You have very little idea, really, of what's going to happen. You have a broad sense, maybe, but it's this rash leap. It's like spelunking. You kind of create the right path for yourself. But, boy, are there so many points at which you think, absolutely, I'm going down the wrong hole here. And I can't get back to the right hole. I'm not going to be able to get this section back to the right hole - so I'm just going to have to cut it.
writing discovery agony
Chaim Potok If I had a plot that was all set in advance, why would I want go through the agony of writing the novel? A novel is a kind of exploration and discovery, for me at any rate.
writing fiction shapes
Chaim Potok A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.
writing half six
Chaim Potok I don't work on my Sabbath. I write five-and-a-half or six days a week.
writing mean thinking
Chaim Potok I think the hardest part of writing is revising. And by that I mean the following: A novelist has to create the piece of marble and then chip away to find the figure in it.
writing school home
Charlie Hunnam I got expelled from high school, and then did my exams from home. I decided, through that experience, that I was going to expediate my plan and didn't go to university. Instead, I went to a community college and studied the theory and history of film with the idea that I wanted to write and direct.
writing intuition connections
Charlie Kaufman As I'm writing, I start to see connections, and themes I didn't see, and that sparks other things. So then I go back and rewrite things or alter them. It's a combination of intuition and a lot of finessing. It becomes a combination of the rational and the irrational.
writing actors directors
Charlie Kaufman I love working with actors. I love visual things. I always intended to be a writer who directs and a director who writes.