Quotes about writing
writing persons stills
There's still plenty of lead in this pencil, but I only write to one person now. Rod Stewart
writing media voice
I find dictating in the mass media particularly good because you're writing for voice anyway; you're writing for people to say a line and, consequently, saying a line through a machine is quite a valid test for the validity of what you're saying. Rod Serling
writing wanted written
I've written all that I've wanted to write to date. Rod Serling
writing compulsion knows
Why do I write? I guess that's been asked of every writer. I don't know. It isn't any massive compulsion. Rod Serling
writing caring thinking
It's part of the business of really not caring about topping myself because I really don't care what's going to happen. I think just surviving is a major thing. I'd like to write something that my peers, my colleagues, my fellow writers would find a source of respect. Rod Serling
writing men thinking
I don't think it's man's function to write. I don't think it's a normal thing like teeth-brushing and going to the bathroom. It's a supered position on the animal. Rod Serling
writing ifs
If you write beautifully, you write beautifully, that's all. Rod Serling
writing thinking years
I suppose we think euphemistically that all writers write because they have something to say that is truthful and honest and pointed and important. And I suppose I subscribe to that, too. But God knows when I look back over thirty years of professional writing, I'm hard-pressed to come up with anything that's important. Some things are literate, some things are interesting, some things are classy, but very damn little is important. Rod Serling
writing frustration skulls
Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull. Rod Serling
writing way producers
I don't know what my friends do. Generally they become producers. That way they can stop writing! Rod Serling
writing men thinking
It has forever been thus: So long as men write what they think, then all of the other freedoms - all of them - may remain intact. And it is then that writing becomes a weapon of truth, an article of faith, an act of courage. Rod Serling
writing way enough
Somehow, some way, incredibly enough, good writing ultimately gets recognized. If you're a really good writer and deserve that honored position, then by God, you'll write, and you'll be read. Rod Serling
writing creative fiction
Fantasy is the impossible made probable. Science Fiction is the improbable made possible. Rod Serling
writing successful goes-on
I don't enjoy any of the process of writing. I enjoy it when it goes on if it zings and it has great warmth and import and it's successful. Rod Serling
writing successful years
In eleven or twelve years of writing, Mike, I can lay claim to at least this: I have never written beneath myself. I have never written anything that I didn't want my name attached to. I have probed deeper in some scripts and I've been more successful in some than others. But all of them that have been on, you know, I'll take my lick. They're mine and that's the way I wanted them. Rod Serling
writing thinking people
I choose to think of tv audience as nameless, formless, faceless people who are all like me. And anything that I write, if I like it, they'll like it. Rod Serling
writing simple ordinary-days
If you're really a good writer and deserve that honored position, then by God, you'll write, and you'll be read, and you'll be produced somehow. It just works that way. If you're just a simple ordinary day-to-day craftsman, no different than most, then the likelihood is that you probably won't make it in writing. Rod Serling
writing should feels
I don't feel, God dictated that I should write. Rod Serling
writing dwarves dwarfs
You can be a hunchback and a dwarf and what-all. If you write beautifully, you can write beautifully. Rod Serling
writing way tomorrow
There are millions of ways to not be writing. You say you're not in the mood, you'll pick it up tomorrow. Rod Serling
writing differences people
Essentially, the scripts are not that different. Let's say, in literary terms, it's the difference between writing horizontally and writing vertically. In live television, you wrote much more vertically. You had to probe people because you didn't have money or sets or any of the physical dimensions that film will allow you. So you generally probed people a little bit more. Film writing is much more horizontal. You can insert anything you want: meadows, battlefields, the Taj Mahal, a cast of thousands. But essentially, writing a story is writing a story. Rod Serling
writing night light
This is, if not a lifetime process, it's awfully close to it. The writer broadens, becomes deeper, becomes more observant, becomes more tempered, becomes much wiser over a period time passing. It is not something that is injected into him by a needle. It is not something that comes on a wave of flashing, explosive light one night and say, 'Huzzah! Eureka! I've got it!' and then proceeds to write the great American novel in eleven days. It doesn't work that way. It's a long, tedious, tough, frustrating process, but never, ever be put aside by the fact that it's hard. Rod Serling
writing people talent
Some people possess talent, others are possessed by it. When that happens, a talent becomes a curse. Rod Serling
writing pride past
If you write, fix pipes, grade papers, lay bricks or drive a taxi - do it with a sense of pride. And do it the best you know how. Be cognizant and sympathetic to the guy alongside, because he wants a place in the sun, too. And always...always look past his color, his creed, his religion and the shape of his ears. Look for the whole person. Judge him as the whole person. Rod Serling
writing artist soul
I've been influenced heavily by great soul artists. I see myself as a soul singer. I sing from my soul - I write from my soul. Robin Thicke
writing world want
Write what you want to read. The person you know best in this world is you. Listen to yourself. If you are excited by what you are writing, you have a much better chance of putting that excitement over to a reader. Robin McKinley
writing rejection stories
The story is always better than your ability to write it. Robin McKinley
writing thinking justice
The story is always better than your ability to write it. My belief about this is that if you ever get to the point that you think you've done a story justice, you're in the wrong business. Robin McKinley
writing ideas fiction
With me, a story usually begins with a single idea or mental picture. The writing of the story is simply a matter of working up to that moment, to explain why it happened or what caused it to follow. William Faulkner
writing men talking
'I never feel the need to discuss my work with anyone. No, I am too busy writing it. It has got to please me and if it does I don't need to talk about it. If it doesn't please me, talking about it won't improve it, since the only thing to improve it is to work on it some more. I am not a literary man but only a writer. I don't get any pleasure from talking shop. William Faulkner
writing swimming men
Nothing can injure a man's writing if he's a first-rate writer. If a man is not a first-rate writer, there's not anything can help it much. The problem does not apply if he is not first rate because he has already sold his soul for a swimming pool. William Faulkner
writing men long
I imagine as long as people will continue to read novels, people will continue to write them, or vice versa; unless of course the pictorial magazines and comic strips finally atrophy man's capacity to read, and literature really is on its way back to the picture writing in the Neanderthal cave. William Faulkner
writing famous-writers writers-reading
Read, read read. Read everything. William Faulkner