Quotes about writing
writing fiction way
[Science fiction is] out in the mainstream now. You can tell by the way mainstream literary authors pillage SF while denying they're writing it! Terry Pratchett
writing experts wizards
I'm not the world's greatest expert, but I would have thought that the wizards, witches, trolls, unicorns, ... broomsticks and spells would have given her a clue?' - when J.K. Rowling insisted she wasn't writing fantasy. Terry Pratchett
writing thinking ideas
In all seriousness, people think that it's the ideas that are important. Well, everyone has ideas, all the time. I tend to write mine down and remember them, but at some point you have to apply the bum to the seat and knock out about sixty five thousand words - that's how long a novel is. Terry Pratchett
writing people world
It bothers me when people, say, you know, write for, you know, a web publication and get paid little or nothing or, you know, expecting to, like, read the best newspapers in the world and not pay a cent for it. Those newspapers need money in order to operate. Terry Gross
writing past secret
Irish fiction is full of secrets, guilty pasts, divided identities. It is no wonder that there is such a rich tradition of Gothic writing in a nation so haunted by history. Terry Eagleton
writing thinking people
Whenever you think you're writing what other people want to hear from you, and that it'll be commercial, you're doomed to disaster. Writing has to be as truthful and specific as we can make it. The minute we think that we're reaching more people and pleasing them, we get general. And audiences sense that and turn away, shun us. Terrence McNally
writing play firsts
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know. Terrence McNally
writing play nervous
There are so many rules about play writing. I'd have a nervous breakdown if I followed them. Terrence McNally
writing thinking magic
If you don't think there is magic in writing, you probably won't write anything magical. Terry Brooks
writing want storytelling
What I want to write about has changed somewhat, and the scope of the storytelling has changed accordingly. Terry Brooks
writing
What you write chooses you. Terry Brooks
writing important needs
If anything in your life is more important than writing - anything at all - you should walk away now while you still can. Forewarned is forearmed. For those who cannot or will not walk away, you need only to remember this. Writing is life. Breathe deeply of it. Terry Brooks
writing opportunity conflict
The more complex and overwhelming the threat to a protagonist, the better the opportunity for the author to create a compelling conflict and a dramatic resolution. Terry Brooks
writing remember-you remembers-you
You can get away with breaking all of the other rules at least once in a while, but you can't get away with breaking this one. Readers will accept almost anything from you if you don't make them feel they have wasted their time and money. Remember, you can bore readers in a lot of different ways. It doesn't necessarily take a dearth of action; too much action can get you the same result. Everything in writing, like in life, requires balance. Terry Brooks
writing looks fiction
Fiction writers are strange beasts. They are, like all writers, observers first and foremost. Everything that happens to and around them is potential material for a story, and they look at it that way. Terry Brooks
writing way suspense
There is much to admire in Peter Brett's writing, and his concept is brilliant. There's action and suspense all the way. Terry Brooks
writing home thinking
Fiction writing is a twenty-four-hou r-a-day occupation. You never leave your work behind. It is always with you, and to some extent, you are always thinking about it. You don't take your work home; your work never leaves home. It lives inside you. It resides and grows and comes alive in your mind. Terry Brooks
writing florida connections
Writing fantasy lets me imagine a great deal more than, say, writing about alligators, and lets me write about places more distant than Florida, but I can tell you things about Florida and alligators, let you make the connection all on your own. Terry Brooks
writing heart too-much
If you do not hear music in your words, you have put too much thought into your writing and not enough heart. Terry Brooks
writing magic use
Don't use metaphors in fantasy; your readers will take them literally. Or they may take them figuratively - but if so, they'll also take your magics and transformations figuratively. Either way, you're in trouble. Teresa Nielsen Hayden
writing eight play
For a creative person there's just as much pleasure in writing an eight-line poem as there is in writing a blockbuster play ... of the old '50s type. Tennessee Williams
writing play rehearsal
My '60s plays were as good as most of the other plays I've written ... except I wasn't in a condition to refine them, to help in the rehearsal, or do anything. I was hardly conscious of what was going on except during the hours of the day when I was actually writing ... and that was with the aid of speed. Tennessee Williams
writing compulsion stills
I wrote because I had to. I couldn't stop. There wasn't anything else I could do. If no one ever bought anything, anything I ever did, I'd still be writing. It's beyond a compulsion. Tennessee Williams
writing world pleasure
There is no pleasure in the world like writing well and going fast. Tennessee Williams
writing play long
I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for. Tennessee Williams
writing alive posthumous
I'm only really alive when I'm writing. Tennessee Williams
writing goes-on world
There is no pleasure in the world like writing well and going fast. It's like nothing else. It's like a love affair, it goes on and on, and doesn't end in marriage. It's all courtship. Tennessee Williams
writing lines
I talk out the lines as I write them. Tennessee Williams
writing theatre found
Why did I write? Because I found life unsatisfactory. Tennessee Williams
writing broken trying
I try to work every day because you have no refuge but writing. When you're going through a period of unhappiness, a broken love affair, the death of someone you love, or some other disorder in your life, then you have no refuge but writing. Tennessee Williams
writing alive posthumous
When I stop working the rest of the day is posthumous. I'm only really alive when I'm writing. Tennessee Williams
writing trying theatre
It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write. Tennessee Williams
writing reality age
At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable. Tennessee Williams