Aaron Tveit
Aaron Tveit
Aaron Kyle Tveitis an American actor and singer. He is known for originating the roles of Gabe in Next to Normal and Frank Abagnale Jr. in the stage version of Catch Me If You Can on Broadway. He is also known for his recurring role as Tripp van der Bilt on The CW's teen drama series Gossip Girl, his portrayal of Enjolras in the 2012 film adaptation of Les Misérables, as Mike Warren on the USA Network series Graceland, and,...
NationalityAmerican
ProfessionStage Actor
Date of Birth21 October 1983
CityMiddletown, NY
CountryUnited States of America
Once I came to acting, it was almost a thing where there weren't enough hours in the day to work on stuff because I was so passionate about it.
It's every actor's dream to work in a hit show on Broadway and also shoot a television show.
I feel like I've been dealing with that building over the years because of the Broadway community, so I'm treating it in the same way - I've always tried to keep my personal life private. I didn't get into this business for notoriety or fame. I don't go to places to be seen and that's not going to change.
In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.
Rent' was my first professional job, ever.
Depression is something that seems really obscure when you see it in a theater, but when you talk to people who come to see it and hear their reactions, you realize that it is such a prevalent part of life and our society today that it really needed to be told, and still needs to be told.
Things don't always tie up in a nice bow. Even when you make strides with people and relationships, it's complicated.
Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
I didn't grow up a theatre kid, going to theatre camps. I played sports, and that was my main direction. But luckily, I never had to choose between sports and theatre.
Typecasting is an interesting thing because, in a way, if you're good at something, you're going to work at that thing. In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
Especially like right now, I'm not shooting a show so you get to act. You get to do that stuff, kind of treat everyone as 'All right, throw the paint against the wall and see what I can do with this and what people say.' I think it's a great mental workout because you have to ready something, learn something fast. It's good to stay on your toes and keep sharp if you're auditioning.
After 9/11, the amount of applicants the FBI received increased exponentially. Whereas you used to require a college degree, and it was a small group of people who were just out of college, after 9/11, it changed.
I can clap with one hand.