Ada Louise Huxtable
Ada Louise Huxtable
Ada Louise Huxtablewas an architecture critic and writer on architecture. In 1970 she was awarded the first ever Pulitzer Prize for Criticism. The esteemed architecture critic Paul Goldberger, also a Pulitzer Prize-winnerfor architectural criticism, said in 1996: "Before Ada Louise Huxtable, architecture was not a part of the public dialogue." "She was a great lover of cities, a great preservationist and the central planet around which every other critic revolved," said architect Robert A. M. Stern, dean of the Yale...
NationalityAmerican
ProfessionCritic
Date of Birth14 March 1921
CountryUnited States of America
Ada Louise Huxtable quotes about
In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
Real estate is the closest thing to the proverbial pot of gold.
What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
Surrogate experience and surrogate environments have become the American way of life. Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected - accessible and user-friendly ...
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
Really living without clutter takes an iron will ... This involves eternal watchfulness and that oldest and most relentless of the housewife's occupations, picking up. I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age. ... Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history. ... Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
If the British are a nation of shopkeepers, Americans are a nation of shoppers.
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness, if you will; they are places for doing nothing and they have no life of their own. ... their one constant is what might be called a decorative rigor mortis ...
There are two kinds of people in the world - those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man. That turns the Jersey wasteland into a pretty classy dump.
Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.