Adrienne Rich
Adrienne Rich
Adrienne Cecile Richwas an American poet, essayist and radical feminist. She was called "one of the most widely read and influential poets of the second half of the 20th century", and was credited with bringing "the oppression of women and lesbians to the forefront of poetic discourse."...
NationalityAmerican
ProfessionPoet
Date of Birth16 May 1929
CityBaltimore, MD
CountryUnited States of America
thinking world academic
I think poets should work in the non-literary, non-academic world, get to know more than a workshop or a university.
years imagination path
Over many years so many poets have touched my imagination and opened paths for me - it hardly makes sense to list them. I have always read a great deal of poetry.
art dysfunction adequate
What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion. What I'm finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written - out of and amid the dysfunction.
dogma poet young
As a very young poet, I had been brought up on that dogma that politics was bad for poetry.
art struggle social
I define "politics" as the on-going collective struggle for liberation and for the power to create - not only works of art, but also just and nonviolent social institutions.
voice together different
What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
gay men thinking
I think about the possibilities for empathy, for mutual solidarity among gay men and lesbians, not simply as people who suffer under homophobia, but as people who are also extremely creative, active, and have a particular understanding of the human condition.
destiny ideas add
Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative - that we're just in the great flow of capitalism and it can never be any different - that this is human destiny, this is human nature.
creativity darkness use
I've known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us, whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?
mean thinking two
I think my work comes out of both an intense desire for connection and what it means to feel isolated. There's always going to be a kind of tidal movement back and forth between the two.
people political intellectual
The kind of poetry that interests me is intellectual and moral and political and sexual and sensual - all of that fermenting together. It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.
thinking bridges space
I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines. Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem - just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc.
order unity body
In order to live a fully human life we require not only control of our bodies (though control is a prerequisite); we must touch the unity and resonance of our physicality, our bond with the natural order, the corporeal grounds of our intelligence.
sex years jewels
I'd call it love if love didn't take so many years but lust too is a jewel.