Aidan Gillen

Aidan Gillen
Aidan Gillenis an Irish actor. He is best known for portraying Petyr "Littlefinger" Baelish in the HBO series Game of Thrones, Tommy Carcetti in the HBO series The Wire, CIA operative Bill Wilson in The Dark Knight Rises, Stuart Alan Jones in the Channel 4 series Queer as Folk, and John Boy in the RTÉ Television series Love/Hate...
NationalityIrish
ProfessionMovie Actor
Date of Birth24 April 1968
CityDublin, Ireland
CountryIreland
In drama you can either pretend everything is OK, or you can show the world as it really is in the hope that it gets better.
I hope it's not all I'll ever do, but I know I've played enigmatic characters. For me, the good characters are people who get places, are devious, are cunning and tricky and hard to pin down. Obviously, if you play one and you do an okay job of it, that'll be on people's minds.
It might take me an hour to get to feel at ease with somebody. I don't find it easy to go into a room full of 10 people and give it all away. In the pilot season in Los Angeles I've done that a couple of times.
I have Googled myself, yeah, I think everybody has. I try not to make a habit of it - in fact I made a rule once never to Google myself, which made me happy.
To start, I wasn't really interested in acting at all, and I didn't make much impact. The first play I was in was on for five nights and I didn't show up for two of them and nobody noticed. But I stayed because that's where my friends were, and after a while I found myself wanting to inhabit other people's worlds and lives.
There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.
Both 'The Wire' and 'Queer as Folk' had a big scope. They were panoramas, telling ambitious stories about two cities, Baltimore and Manchester, for the first time.
Everything's borne out of human experience, of course - rejection, humiliation, poverty, whatever. People aren't born bad, no matter how harsh the circumstances. There is a person in there, and that person is not made of ice.
'You're Ugly Too' isn't a comedy, but it has a lightness of touch with a hard edge. But it's essentially a warm story tinged with a bit of melancholy in the great Irish tradition. I'm very proud of that film.
I like the Edinburgh Film Festival, and I've liked what I've experienced of Glasgow's Film Festival too.
I heat myself up over the fact that I am never going to be as good as I want to be.
I do what I can, but I'll always give it a shot. You're not going to see me playing a Welsh character any time soon, not because I wouldn't love to. I went up to Wales once and read for a film with Rhys Ifans, and haven't been asked back since. We did have a nice time on the train on the way back.
It's always more interesting to take on someone that's going to have hidden sides or a fatal flaw, because there's going to be more to play with - more conflict, internally or in and around them - but it's probably the thing of finding the positive in there.
I hate it when people tell you you're good when you know that you're not.