Alan Arkin
Alan Arkin
Alan Wolf Arkinis an American actor, director, comedian, musician and singer. With a film career spanning more than 55 years, Arkin is known for his performances in Popi, Wait Until Dark, The Russians Are Coming, the Russians Are Coming, The Heart is a Lonely Hunter, Catch-22, The In-Laws, Edward Scissorhands, Glengarry Glen Ross, Thirteen Conversations About One Thing, Little Miss Sunshine, and Argo...
NationalityAmerican
ProfessionMovie Actor
Date of Birth26 March 1934
CityBrooklyn, NY
CountryUnited States of America
I don't know what I'm proudest of. The fact that my kids still talk to me.
I don't mind watching plays once in a while, but as long as I don't have to be in them.
I know that if I can't move people, then I have no business being an actor.
It's murder to doubt yourself in life. It took until I was 45 to get to that point. As hard as it is in your work, it's harder in your life. But it can be done.
But one of the things I learned from improvising is that all of life is an improvisation, whether you like it or not. Some of the greatest scientific discoveries of the 20th century came out of people dropping things.
I've always considered myself an actor, but I wasn't making a living as an actor.
That's what we're all doing, all the time, whether we know it or not. Whether we like it or not. Creating something on the spur of the moment with the materials at hand. We might just as well let the rest of it go, join the party, and dance our hearts out.
I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did
All I can say is if the part doesn't delight me in some way, or I can't feel any compassion for it, I just can't do it.
My favorite kind of film is serious comedy. Comedy with serious underpinning.
For many years my acting came from a place of surmounting some enormous obstacle, confronting some stern and faceless judge who would condemn me to a pit of hell if I didn't achieve the "zone," if even for a moment. Not a particularly happy place to work from.
Creativity means learning where the rules exist, and then breaking them! Saying, "It's better this way." But you have to know the rules in order to break them with any grace.
Hollywood is a strange place. The class structure here is more rigid than almost anyplace I've ever experienced. It's made more difficult by the fact that it's constantly changing. You never know what class you belong to unless you're one of the two or three people that have been in the same echelon for a long, long time.
There's a familiarity that sometimes shocks and annoys the hell out of me. People want a relationship with you that they haven't earned.