Alan Cumming
![Alan Cumming](/assets/img/authors/alan-cumming.jpg)
Alan Cumming
Alan Cumming, OBE, is a Scottish character actor, author, and activist who has appeared in numerous films, television shows and plays. His London stage appearances include Hamlet, the Maniac in Accidental Death of an Anarchist, the lead in Bent, and the National Theatre of Scotland's The Bacchae. On Broadway he has appeared in The Threepenny Opera, as the master of ceremonies in Cabaret, Design for Living and a one-man adaptation of Macbeth. His best-known film roles include his performances in...
NationalityScottish
ProfessionTV Actor
Date of Birth27 January 1965
CityAberfeldy, Scotland
If you are a cabaret artist and you are mostly singing other people's songs, you're asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it's a song they know very well.
The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
I have no regrets in my life even the crazy things I've been in. It all made me the I am today and I wouldn't change anything. I'm happy with who I am!
I'd been depressed before, of course. But I'm talking about really depressed. Not just feeling a bit down or sad, a depression that has something to do with biorhythms. I'm talking about the kind of depressed that floats in upon you like a fog. You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.
I had to be a grown-up when I should have been a little boy, and now that I'm a grown-up my little-boyness has exploded out of me. I've lived my life backwards.
Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
Usually, there's a story I've told that leads up to why I'm singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
I love a film where I get squished by two dumpsters or I fly through the air.
It's about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message. I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?
My mum always told me I was precious, while my dad always told me I was worthless. I think that's a good grounding for a balanced life.
I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out
I think people deny themselves by putting themselves into categories.
It's interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That's what I mean. Also, of course, it means that I'm slightly setting up the audience that there's a bit of fun involved, as well.
You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone's tired, things get on top of them.