Alan Cumming
Alan Cumming
Alan Cumming, OBE, is a Scottish character actor, author, and activist who has appeared in numerous films, television shows and plays. His London stage appearances include Hamlet, the Maniac in Accidental Death of an Anarchist, the lead in Bent, and the National Theatre of Scotland's The Bacchae. On Broadway he has appeared in The Threepenny Opera, as the master of ceremonies in Cabaret, Design for Living and a one-man adaptation of Macbeth. His best-known film roles include his performances in...
NationalityScottish
ProfessionTV Actor
Date of Birth27 January 1965
CityAberfeldy, Scotland
It's really rare for film directors to be that interested in things other than themselves.
For example, Americans seem reluctant to take on Shakespeare because you don't think you're very good at it - which is rubbish. You're missing out here.
You should *have* an experience; it shouldn't just *be* an experience.
I'm quite good, though I say it myself, at making strangers feel at ease.
Sometimes people do you a favour when they drop out of your life.
Most people will never know anything beyond what they see with their own two eyes.
It's exciting to be with really, really good people. Some people make you feel like you've got to up your game. Working with good people is always good.
I'm not a fan of Twitter.
A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.
If you are a cabaret artist and you are mostly singing other people's songs, you're asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it's a song they know very well.
I have no regrets in my life even the crazy things I've been in. It all made me the I am today and I wouldn't change anything. I'm happy with who I am!
I had to be a grown-up when I should have been a little boy, and now that I'm a grown-up my little-boyness has exploded out of me. I've lived my life backwards.
Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
Usually, there's a story I've told that leads up to why I'm singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.