Alan Lightman
Alan Lightman
Alan Paige Lightmanis an American physicist, writer, and social entrepreneur. He is a professor of the practice of the humanities at the Massachusetts Institute of Technology and the author of the international bestseller Einstein's Dreams. Einstein's Dreams has been adapted into dozens of independent theatrical productions and is one of the most widely used "common books" on college campuses. Lightman was the first professor at MIT to receive a joint appointment in the sciences and the humanities. He is also...
NationalityAmerican
ProfessionTeacher
Date of Birth28 November 1948
CountryUnited States of America
So many little lives, amounting to nothing. I ask you: What is infinity multiplied by zero? It is hardly worth our discussion.
A life is a moment in season. A life is one snowfall. A life is one autumn day. A life is the delicate, rapid edge of a closing door's shadow. A life is a brief movement of arms and of legs.
The urge to discover, to invent, to know the unknown, seems so deeply human that we cannot imagine our history without it.
With a background in science I am extremely interested in the meeting ground of science, theology, and philosophy, especially the ethical questions at the border of science and theology.
For my students who are trying to learn the craft of writing in a writing class - contemporary literature is what's most useful.
Novels aren't pedagogical instruments, or instructions in law or physics or any other discipline. A novel has to be an emotional experience, a trip of the imagination, and because science has raised so many issues that concern and affect humans, it's a good starting place for me.
Where are the one billion people who lived and breathed in the year 1800, only two short centuries ago?
One metaphor for how we are living is that you see so may people with cell phones. In restaurants, walking, they have cell phones clamped to their to heads. When they are on their cell phones they are not where their bodies are...they are somewhere else in hyperspace. They are not grounded. We have become disembodied. By being always somewhere else we are nowhere.
We've lost our way, we have lost our centeredness. We don't have the time, literally, to think during the day. To listen to ourselves think. To think about where we are going, who we are, what's important. I would bet most people don't have thirty minutes in a day where they can just sit down and think. Or maybe they don't have to be sitting, they can be walking.
I think all tragedies are best told with some humor. You have to relieve the darkness to let the reader get through it. Also, that life has happiness and sadness mixed together. If you told a story that was all darkness, it wouldn't be real.
I wouldn't overall say that The Diagnosis it's a funny book. I would say that it has comic moments. It's a modern tragedy.
The Diagnosis is by far my most ambitious book. I such great hopes for it... there was so much I wanted to do with the book. I was extremely insecure about it for several years. Just didn't know whether I would finish the book much less for it to come close to what I intended. I think that for any novel you never know exactly how the book is going to turn out...
That's the fine balance of a fiction writer...to be able to give your characters enough freedom to surprise you and yet still maintain some kind of artistic control.
The Diagnosis had ten drafts of very significant changing, where I went through the whole book, wholesale and changed everything. Then the last year or so it was making small changes. I would do something and let it sit for three months... just brood about and decide I needed to slightly change something here or there. Or one character wasn't quite right. But I think everybody goes through this.