Alan Lightman
Alan Lightman
Alan Paige Lightmanis an American physicist, writer, and social entrepreneur. He is a professor of the practice of the humanities at the Massachusetts Institute of Technology and the author of the international bestseller Einstein's Dreams. Einstein's Dreams has been adapted into dozens of independent theatrical productions and is one of the most widely used "common books" on college campuses. Lightman was the first professor at MIT to receive a joint appointment in the sciences and the humanities. He is also...
NationalityAmerican
ProfessionTeacher
Date of Birth28 November 1948
CountryUnited States of America
I think it is always a long shot getting a book made into a film. Making that book into a film is going to be quite a challenge.
I re-read a lot of books that I like a lot. There are some books that I try to reread every couple of years. A good book changes for you every few years because you are in a different place in your own life.
You say, "Something important really happened here. I really had hold of something I was visited by the muse." And that's enough to make you continue the months and years to finish the whole book.
The Diagnosis is by far my most ambitious book. I such great hopes for it... there was so much I wanted to do with the book. I was extremely insecure about it for several years. Just didn't know whether I would finish the book much less for it to come close to what I intended. I think that for any novel you never know exactly how the book is going to turn out...
Franz Kafka is an idea person. His books begin and end in ideas. Ideas have always been important to me in my writing. To the point that I have to be careful that they don't take over.
I'm humbled and enormously grateful to be connected to [Franz] Kafka in a any way. He is one of the writers I admire. I think he has been a big influence on me. I appreciate the idea of the individual person battling the society - which is true in all his books.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
Originality is also very important to a writer. And all of the writers I've mentioned, of course, are original, but it's important to me that every book that I do be really a completely fresh and new look at the world. And of course, that makes it frightening to start a new book because you can't really depend upon what you've done with previous books.
A good book changes for you every few years because you are in a different place in your own life. That's a sign of a good novel. Not only will two different readers get something different but so will a single reader at different points in his life.
I should have written books instead of reading them.
If you over-plot your book you strangle your characters. Your characters have to have enough freedom and life to be able to surprise you.
Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
The Book of Telling tells of a woman's journey to uncover the secret life of her father and to find herself in the process, an unusual counterpoint between personal history and the history of a young nation. Haunting, powerful, and beautifully written.
I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.