Aleksandar Hemon
Aleksandar Hemon
Aleksandar Hemonis a Bosnian-born American fiction writer, essayist, and critic. His best known novels are Nowhere Manand The Lazarus Project...
NationalityBosniak
ProfessionNovelist
Date of Birth9 September 1964
long stories language
As long as there are living human beings, there will be language and stories.
thinking humanity stories
Language is so inherent to humanity, so necessary for even basic thinking, that stories and poetry are available to anyone who can process language.
literature stories language
Literature is always something - it is either story or poetry, ideally both. That is, you always know what it is and even if the interpretation is not available, the experience of language is.
real real-life stories
In some way there is no real life. It's always the story of your life that you're living.
stories way kind
There's a social and human necessity for some kind of continuity, but it's not axiomatic and not something you're born into; it's something you have to work at. And one of the ways to work at it - perhaps the best - is storytelling: telling stories about yourself to others, telling stories about yourself to yourself, telling stories about others to others.
people stories might
People will always tell stories. The publishing industry might vanish, but not stories.
personality stories bricks
Even if you tried to extinguish your personality, what is left in the story will reflect it, perhaps by its negation. Our lives provide the bricks from which we build these cathedrals.
style way stories
You devise ways to tell a story that complies with your sensibility. Style and method are really extensions of your present sensibility.
thinking needs stories
It is my belief that we as human beings have a need to tell stories - I think it's evolutionary. So you can think of the short story as a literary form, or you can instead think of stories.
full means swing war
When I found myself in the U.S., and the war was at full swing in Bosnia, I read for survival - it was a means of thought resuscitation.
book solidarity reader
Whatever solidarity I have established with other writers individually, it is usually organized around books. We connected as readers, as it were, not writers.
political demand moral
What you demand from storytelling is a moral - even political - import. I tend to shun that didactic aspect.
book ideas space
I like the idea of a book being a democratic space which readers enter, carrying their own thoughts, and participate in a conversation, or experience of grace.
book important may
To me, the solidarity of readers is far more important than the solidarity of writers, particularly since readers in fact find ways to connect over a book or books, whatever they may be.