Andrew Stanton
![Andrew Stanton](/assets/img/authors/andrew-stanton.jpg)
Andrew Stanton
Andrew Stantonis an American film director, screenwriter, producer, and voice actor based at Pixar Animation Studios. His film work includes writing and directing Pixar's A Bug's Life, Finding Nemo, and WALL-E, and the live-action film, Disney's John Carter. He also co-wrote all three Toy Story films and Monsters, Inc...
NationalityAmerican
ProfessionDirector
Date of Birth3 December 1965
CityRockport, MA
CountryUnited States of America
He was one of the major players (at Pixar), and we have yet to process what that will mean over time.
If you're trying to do multiple agendas, you'll confuse yourself as a storyteller. If you have one purpose, everything else will fall into place.
We're all going to keep telling love stories, we're all going to tell hero stories. It's all a question of what your own thumbprint, your own DNA, is, and what it brings to the table that makes it unique.
I think you could go back to any filmmaker or musician or artist, and look at what their input was in their formative years, and you could trace all the lines.
The greatest story commandment is: Make me care.
I had never touched a computer in my life before I came to Pixar.
There's a lot of downsides to social media, but one of the nice things is that you can cut through all the BS and go straight to the person and ask them directly. I think that's a wonderful thing. I love talking to people who are true fans or who have a true love of cinema, and so if I can talk to them directly, great.
Frankly, there isn't anyone you couldn't learn to love once you've heard their story.
A major threshold is passed when you mature enough to acknowledge what drives you, and to take the wheel and steer it.
The best stories infuse wonder,
Loneliness is, I think, people's biggest fear, whether they are conscious of it or not.
I'm still craving approval from my parents. It took a lot of success for me to realize it was never coming. It's just not in their nature.
The thing about working at Pixar is that everyone around you is smarter and funnier and cleverer than you and they all think the same about everyone else. Its a nice problem to have.
We're not supervised. We're sort of allowed, like an independent filmmaker, to do what we want. You don't get that freedom anywhere else. And this is the only studio outside of Disney, when Walt Disney ran it, where an artist runs the whole place. Here, it's John Lasseter, and that trickles down.