Anne Tyler
Anne Tyler
Anne Tyleris a Pulitzer Prize-winning American novelist, short story writer, and literary critic. She has published 20 novels, the best known of which are Dinner at the Homesick Restaurant, The Accidental Tourist, and Breathing Lessons. All three were finalists for the Pulitzer Prize for Fiction with Breathing Lessons winning the prize for 1989. She has also won the Janet Heidinger Kafka Prize, the Ambassador Book Award, and the National Book Critics Circle Award. In 2012 she was awarded The Sunday...
NationalityAmerican
ProfessionNovelist
Date of Birth25 October 1941
CountryUnited States of America
I never think about the actual process of writing. I suppose I have a superstition about examining it too closely.
Farmers are patient men. They got to be. Got to see those seeds come up week by week, fraction by fraction, and sweat it out for some days not knowing yet is it weeds or vegetables ...
I mean you're given all these lessons for the unimportant things--piano-playing, typing. You're given years and years of lessons in how to balance equations, which Lord knows you will never have to do in normal life. But how about parenthood? Or marriage, either, come to think of it. Before you can drive a car you need a state-approved course of instruction, but driving a car is nothing, nothing, compared to living day in and day out with a husband and raising up a new human being.
It struck her all at once that dealing with other human beings was an awful lot of work.
And she thought what a clean, simple life she would have led if it weren't for love.
There is no true life. Your true life is the one you end up with, whatever it may be. You just do the best you can with what you've got.
She saw herself riding in the passenger seat, Sam behind the wheel. Like two of those little peg people in a toy car. Husband peg, wife peg, side by side. Facing the road and not looking at each other; for why would they need to, really, having gone beyond the visible surface long ago. No hope of admiring gazes anymore, no chance of unremitting adoration. Nothing left to show but their plain, true, homely, interior selves, which were actually much richer anyhow.
I write because I want more than one life; I insist on a wider selection. It’s greed, plain and simple. When my characters join the circus, I’m joining the circus. Although I’m happily married, I spent a great deal of time mentally living with incompatible husbands.
He wished he had inhabited more of his life, used it better, filled it fuller.
People who hadn't suffered a loss yet struck me as not quite grown up.
When I read, I'm purely a reader
My stories are never quite good enough
I don't know what takes more courage: surviving a lifelong endurance test because you once made a promise or breaking free, disrupting all your world.
It's true that it's a solitary occupation, but you would be surprised at how much companionship a group of imaginary characters can offer once you get to know them.