Audre Lorde

Audre Lorde
Audre Lordewas an African American writer, feminist, womanist, lesbian, and civil rights activist. As a poet, she is best known for technical mastery and emotional expression, particularly in her poems expressing anger and outrage at civil and social injustices she observed throughout her life. Her poems and prose largely dealt with issues related to civil rights, feminism, and the exploration of black female identity. In relation to white feminists in the United States, Lorde famously said, “the master's tools will...
NationalityAmerican
ProfessionPoet
Date of Birth18 February 1934
CityNew York City, NY
CountryUnited States of America
Once we begin to feel deeply all the aspects of our lives, we begin to demand from ourselves and from our life-pursuits that they feel in accordance with that joy which we know ourselves to be capable of. Our erotic knowledge empowers us, becomes a lens through which we scrutinize all aspects of our existence, forcing us to evaluate those aspects honestly in terms of their relative meaning within our lives. . . .
We have to consciously study how to be tender with each other until it becomes a habit because what was native has been stolen from us, the love of Black women for each other.
I am a Black Feminist. I mean I recognize that my power as well as my primary oppressions come as a result of my blackness as well as my womaness, and therefore my struggles on both of these fronts are inseparable.
African tradition deals with life as an experience to be lived. In many respects, it is much like the Eastern philosophies in that we see ourselves as a part of a life force; we are joined, for instance, to the air, to the earth. We are part of the whole-life process. We live in accordance with, in a kind of correspondence with the rest of the world as a whole. And therefore living becomes an experience, rather than a problem, no matter how bad or how painful it may be.
... poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.
I am a Black Lesbian Feminist Warrior Poet Mother, stronger for all my identities, and I am indivisible.
There are lesbians, God knows... if you came up through lesbian circles in the forties and fifties in New York... who were not feminist and would not call themselves feminists.
Institutionalized rejection of differences is an absolute necessity in a profit economy which needs outsiders as surplus people. As members of such an economy, we have all been programmed to respond to the human differences between us with fear and loathing and to handle that difference in one of three ways: ignore it, and if that is not possible, copy it if we think it is dominant, or destroy it if we think it is subordinate.
It is never easy to demand the most from ourselves, from our lives, from our work. To encourage excellence is to go beyond the encouraged mediocrity of our society is to encourage excellence. But giving in to the fear of feeling and working to capacity is a luxury only the unintentional can afford, and the unintentional are those who do not wish to guide their own destinies.
Hopefully, we can learn from the 60s that we cannot afford to do our enemies work by destroying each other.
Our feelings are our most genuine paths to knowledge.
the fear of death is that you are dying too soon. Nobody wants to, but at the point that you die you can pray that you are no longer the same person. I pray that when I am about to die I will not be the same person that I am now.
Every Black woman in America lives her life somewhere along a wide curve of ancient and unexpressed angers.
I am Black because I come from the earth's inside now take my word for jewel in the open light.