Auguste Rodin

Auguste Rodin
François Auguste René Rodin, known as Auguste Rodin, was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Paris's foremost school of art...
NationalityFrench
ProfessionSculptor
Date of Birth12 November 1840
CityParis, France
CountryFrance
The artist enriches the soul of humanity. The artist delights people with a thousand different shades of feeling.
The artist must create a spark before he can make a fire and before art is born, the artist must be ready to be consumed by the fire of his own creation.
Nothing is a waste of time if you use the experience wisely.
In short, Beauty is everywhere. It is not that she is lacking to our eye, but our eyes which fail to perceive her. Beauty is character and expression. Well, there is nothing in nature which has more character than the human body. In its strength and its grace it evokes the most varied images. One moment it resembles a flower: the bending torso is the stalk; the breasts, the head, and the splendor of the hair answer to the blossoming of the corolla. The next moment it recalls the pliant creeper, or the proud and upright sapling.
The main thing is to be moved, to love, to hope, to tremble, to live. Be a man before being an artist!
Art is contemplation. It is the pleasure of the mind which searches into nature and which there divines the spirit of which nature herself is animated.
Patience is also a form of action.
There are unknown forces in nature; when we give ourselves wholly to her, without reserve, she lends them to us; she shows us these forms, which our watching eyes do not see, which our intelligence does not understand or suspect.
Where shall we begin? There is no beginning. Start where you arrive. Stop before what entices you. And work! You will enter little by little into the entirety. Method will be born in proportion to your interest.
The artist is the confidant of nature, flowers carry on dialogues with him through the graceful bending of their stems and the harmoniously tinted nuances of their blossoms, Every flower has a cordial word which nature directs towards him.
You must always work.
If the artist only reproduces superficial features as photography does, if he copies the lineaments of a face exactly, without reference to character, he deserves no admiration. The resemblance which he ought to obtain is that of the soul.
I would have to talk for a year to repeat a single on of my works with words.
I know very well that one must fight, for one is often in contradiction to the spirit of the age.