Azar Nafisi

Azar Nafisi
Azar Nafisi is an Iranian writer and professor of English literature. She has resided in the United States since 1997 and became an American citizen in 2008...
NationalityIranian
ProfessionWriter
thinking issues want
A bad author can take the most moral issue and make you want to just never, ever think about that moral issue.
thinking islam needs
I think Islam is in a sense, in crisis. It needs to question and re-question itself.
stronger dies
The more we die, the stronger we will become
reality fiction epiphany
What we search for in fiction is not so much reality, but the epiphany of truth.
reality limits fairy-tale
Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies.
art betrayal lying
In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. This affirmation lies in the way the author takes control of reality by retelling it in his own way, thus creating a new world. Every great work of art, I would declare pompously, is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life. The perfection and beauty of form rebels against the ugliness and shabbiness of the subject matter.
teacher believe eye
I believe in empathy. I believe in the kind of empathy that is created through imagination and through intimate, personal relationships. I am a writer and a teacher, so much of my time is spent interpreting stories and connecting to other individuals. It is the urge to know more about ourselves and others that creates empathy. Through imagination and our desire for rapport, we transcend our limitations, freshen our eyes, and are able to look at ourselves and the world through a new and alternative lens.
portable status
I would like to think of my own status as what you called 'citizen of the world' or a 'citizen of a portable world,' if not of the world.
love change strange-places
You get a strange feeling when you're about to leave a place, I told him, like you'll not only miss the people you love but you'll miss the person you are now at this time and this place, because you'll never be this way ever again.
sex islamic republic
Living in the Islamic Republic is like having sex with someone you loathe.
self issues evil
You don't read Gatsby, I said, to learn whether adultery is good or bad but to learn about how complicated issues such as adultery and fidelity and marriage are. A great novel heightens your senses and sensitivity to the complexities of life and of individuals, and prevents you from the self-righteousness that sees morality in fixed formulas about good and evil.
struggle islam colonialism
Look at Ayatollah Khomeini's revolution and the slogans that they used: anti-imperialism; anti-colonialism; the struggle of the have-nots against the haves; the state monopoly over economy, which was very much patterned after the Soviet Union. All of these things did not come out of Islam. Islam is not that developed.
imagination littles great-work
That, of course, is what great works of imagination do for us: They make us a little restless, destabilize us, question our preconceived notions and formulas.
character heart destiny
A novel is not an allegory.... It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing.