Beau Willimon
Beau Willimon
Pack Beauregard "Beau" Willimonis an American playwright and screenwriter. He is the creator of the Netflix original series House of Cards and served as showrunner for the first four seasons...
NationalityAmerican
ProfessionScreenwriter
Date of Birth1 August 1975
CountryUnited States of America
amount money power reality terms wield work
The reality is that politicians, in terms of the amount of power they wield and the amount that they work, don't actually make that much money.
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When you're lucky enough to get paid a nice chunk of change to write a movie or a TV show, you have no right to complain, really. I guess it's more of an appeal to the powers that be that the less they interfere, the more likely, actually, they are to get something that works, I think.
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Tales of power and ambition and intrigue and betrayal and desire - when you're telling those in a big way, you automatically want to go to Shakespeare.
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I think, people who remain in the political sphere as opposed to going into the private sector, really what they're looking at is how in some ways the compensation is power. How do you place a price tag on the ability to affect millions of people's lives? How do you place a price tag on the ability to determine the rules by which all of us play?
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If you really think that ambition, power, lust, desire are not as applicable in the media as in politics or on Wall Street or anywhere else, you're deluding yourself.
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Money is finite; it's limited by a number and what you can buy with it. Power has no limits if you're willing to go far enough in order to get as much of it as you can.
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People in D.C. are so psyched when anyone dramatizes them in an exciting way. They're a lot more open to looking at the nastier side of themselves than the media is.
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There were many years when I was hand-to-mouth and didn't know how I was gonna make rent. I've done every job under the sun, from busing tables, temping, and working in factories to SAT prep and detailing cars. So to be able to make a living where all I do is write is absolutely liberating.
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The economics of being a playwright are abysmal. I like to think of the work I do out in Hollywood as a way to actually make a life in the theater easier.
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I certainly keep my eye on Washington all the time because often life is stranger than fiction.
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Writing plays supplied for me everything that painting didn't, which is the ability to tell stories in real time, in a real space, in three dimensions, in flesh and blood. I realized I had been trying to cram all this narrative into my paintings, but ultimately painting was a static medium. So it just opened up this whole new door.
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The media doesn't create narratives, really. They're not that powerful. What they do is they tap into narratives that are already bubbling amongst their viewership or readership.
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I was always a writer - working on campaigns was never a profession for me. It was something I did on the side, really, so the trajectory hasn't been a political operative who likes to dabble in writing and finds himself into stumbling on film and TV - that was always my goal.
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The political world is a dark place. If you want to portray it accurately, authentically, you've got to turn out the lights from time to time.