Beeban Kidron
Beeban Kidron
Beeban Tania Kidron, Baroness Kidron, OBEis an English film director. She has directed an adaptation of Jeanette Winterson's autobiographical novel Oranges Are Not the Only Fruit and Bridget Jones: The Edge of Reason. Baroness Kidron is the joint founder of the education charity Filmclub, which helps schools with after-school clubs in the United Kingdom...
NationalityEnglish
ProfessionDirector
Date of Birth2 May 1961
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I absolutely don't want to suggest that women are unreliable because we're mothers - on the contrary. But the question of who brings up the kids has a material effect on all women's careers.
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I am still cautiously hopeful about the potential of the Internet. But it seems that the greatest revolution in communication has been hijacked by commercial values.
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I had a sort of classic moment when a friend of mine rang up and said she'd just been to a funeral, and in the middle of the eulogy, this kid had taken out the phone and had a whole proper text conversation - while everyone was weeping!
gave girls interested school
I once gave a talk at a girls' school and, once I'd finished, 29 out of the 30 girls wanted to be film directors. I think that's where we need to get girls interested in making films. We need to give them the idea that they can, that it's one of the things on their horizon.
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I want to talk about privacy, the quality of the information you receive, whether it's neutral or commercial or pointed, bringing consciousness to the lack of neutrality in the algorithms.
miss pocket tear tickets weddings
I've lost count of the plane tickets I've had in my pocket for people's weddings and other celebrations which I've had to tear up because I was making a film. How many things like that can you miss and still be in people's lives?
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I've walked down the street with Madonna, and I've walked down the street with Colin Firth, and it was a little bit more... with Madonna they were a little rougher, but they were all there for Colin. It was amazing. Women adore him. They swoon.
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In 1982, fellow film student Amanda Richardson and I went to Greenham Common for the day - to see what was going on and to shoot some video. The day turned into a weekend, the weekend into seven months, and the dozens of hours of footage turned into a film - 'Carry Greenham Home.'
entertainment information speaks towards
On telly, there's been a move towards entertainment - with some very high-powered, fast-moving dramas. Then we have the Internet, where we get our information but it's all in bite-size pieces. I think the documentary, as a form, actually speaks to what's missing.
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The devadasis have a multilayered story, a story in which poverty, deprivation and injustice against women is central - but what has happened to them is absolutely an outcome of imperialism and the impact of British rule in India.
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The devices that our kids use are shipped from the factory with every possible audio, visual or vibration alert switched on. Each new app, website, tweet and message adds another layer of intrusion - each intrusion is cynically designed to get a response, and each response creates an appetite for another intrusion.
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The idea of the Internet as sort of open and democratic and free and with no hierarchy, the libertarian beginnings as it were, with peer-to-peer networks... I'd sort of like for everyone to just admit that we're beyond that now.
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The Internet has crept up on us, and we need to know what it is and start looking at it. We have to decide which bits we want, which bits we don't, and how we're going to use them - and how we're going to put pressure on the people who deliver these goods to deliver what we really want.
free freedom model people sides speech
The thing I have come to find astonishing is that people from all political sides routinely say that the Internet has to be the model of free speech and freedom.