Ben E. King
Ben E. King
NationalityAmerican
ProfessionMusician
Date of Birth28 September 1938
CountryUnited States of America
country new-york kids
In New York, I was excited about the music in New York because the only music that I was more or less involved with in the South was either country and western or hillbilly music as we used to call it when I was a kid and, ah, gospel. There was no, there was no in between. And when I got to New York all the other musics that's in the world just came into my head whether it was the classics, jazz, I never knew what jazz was about all, had heard anything about jazz.
sorry kids feelings
Those things don't happen today. I feel sorry for the kids in the industry today. They have on sunglasses, eat caviar in jet planes, but they'll never know the true feeling that we did.
song kings kids
Of course, the kids who had never heard of a person called Ben E. King were then aware of the name associated with the song. That gave a tremendous lift to me as an artist.
thinking doors people
People abroad always tend to take what the best of what we have and come back through the back door always, say, and hit us with it. And then we wake up one day and say, I think I've heard that. Yeah, it was done by whoever, you know. So, ah, that's been one of our weaknesses we don't tend to hold on as they do there.
song writing heart
During those times like in my early years as a writer I could actually write a song in ten minutes because all of a sudden a song is writing itself, I'm just putting down words. It just seem each line that you put down flows with the other ones. It's like writing a love letter you don't think about it, it's something from the heart.
writing stand-by-me how-you-feel
You're writing it is how you feel. And when you're finished you put your signature on it and you mail it off and that's it. And that's how "Stand By Me" was really.
marketing records different
It's a different thing when you go into a studio and you record with the intent of going somewhere and you're marketing yourself for that direction.
song successful feelings
I would imagine after the first recording session with Jerry Leiber and Mike Stoller and Atlantic Records I began to realize that this is going to be like this for the rest of my life and I knew that what, what they were doing was going to be successful because with each session that we would do, it would get better and better and better, the songs would become better, the, ah, the feeling of success was there and we were all in the middle of that as well.
heart take-a-chance realizing
You take a chance to do something and you realize in your heart it's either going to be the greatest thing that ever happened or the worst thing that ever happened. It won't be an in between, I almost made a hit. It will be an instant flop or an instant success.
heart black ears
Most black singers like to slow the word down and, and go directly to your heart. They're not interested in your ears, we just want to go directly to your heart.
fake different records
One of the hardest things in the world is to perform on record and get someone to enjoy and feel what you're doing. It's unlike, like TV you can, you can fake it with the face and the crying and the bits. Recording is completely different.
song feelings enjoy
If you just concentrate on what you're doing and allow yourself to actually enjoy and let your feelings come out, whatever the tempos, whatever the rhythms, whatever the songs, 9 out of 10 times it will work.
fun crowns records
When I got involved with The Five Crowns who later became The Drifters, and we got this hit record, I still was looking at this as kind of a fun thing.
nice guy littles
The Phil Spector that I would meet has always been a nice, quiet, little guy who's very serious about his work; obviously you can tell that because each and everything he's ever done has always been charted.