Ben Shahn
![Ben Shahn](/assets/img/authors/ben-shahn.jpg)
Ben Shahn
Ben Shahnwas a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content...
NationalityLithuanian
ProfessionArtist
Date of Birth12 September 1898
CountryLithuania
believe paint feels
Paint what you are, paint what you believe, paint what you feel.
art believe emotional
The artist must operate on the assumption that the public consists in the highest order of individual; that he is civilized, cultured, and highly sensitive both to emotional and intellectual contexts. And while the whole public most certainly does not consist in that sort of individual, still the tendency of art is to create such a public - to lift the level of perceptivity, to increase and enrich the average individual's store of values... I believe that it is in a certain devotion to concepts of truth that we discover values.
believe artist labels
I believe that if it were left to artists to choose their own labels, most would choose none.
art philosophy rights
All art is based on nonconformity ... Without nonconformity we would have had no Bill of Rights or Magna Carta, no public education system, no nation upon this continent, no continent, no science at all, no philosophy, and considerably fewer religions.
art hate men
The values that reside in art are anarchic, they are every man's loves and hates and his momentary divine revelation.
artist style peculiar
Personal style, be it that of Michelangelo, or that of Tintoretto... has always been that peculiar personal rapport which has developed between an artist and his medium.
art numbers quality
A work of art rests its merits in traditional qualities. It may constitute a remarkable feat in craftsmanship; it may be a searching study of psychological states; it may be a nostalgic glance backward; it may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
art class sculpture
Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
eye vision representation
The popular eye is not untrained; it is only wrongly trained - trained by inferior and insincere visual representations.
art men today
It is the mission of art to remind man from time to time that he is human, and the time is ripe, just now, today, for such a reminder.
taken ordinary done
We tried to present the ordinary in an extraordinary manner. But that's the paradox because the only thing extraordinary about it was that it was so ordinary. Nobody had ever done it before, deliberately. Now it's called documentary, which I suppose is all right ... We just took pictures that cried out to be taken.
art years giving
If you're going to be an artist, all life is your subject. And all your experience is part of your art. A youngster told me recently that he was going to give himself a year to see if he has talent. A year! It takes a lifetime to see if you have it. Painting is total engagement.
shapes painting affair
It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
people sake action
I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.