Benedict Cumberbatch
Benedict Cumberbatch
Benedict Timothy Carlton Cumberbatch CBE is an English actor and film producer who has performed in film, television, theatre and radio. The son of actors Timothy Carlton and Wanda Ventham, he graduated from the University of Manchester and continued his training at the London Academy of Music and Dramatic Art, obtaining a Master of Arts in Classical Acting. He first performed at the Open Air Theatre, Regent's Park in Shakespearean productions and has portrayed George Tesman in Richard Eyre's revival...
NationalityEnglish
ProfessionMovie Actor
Date of Birth19 July 1976
CityLondon, England
[Doctor Strange] is still quite cocky by the end of the film. No, I'd say the major curve for him is that he learns that it's not all about him, that there's a greater good. But what he thinks he was doing as a neurosurgeon, that was good because it benefitted people's health was really just a furtherment of his attempts to control death and control his own fate and other people's, but that's still driven by the ego.
[ Sherlock Holmes] has moved from being someone who was sociopathic, work-obsessed and slightly amoral, into being someone who has a certain degree of a private life, which is very, very private, with The Woman, or Irene Adler.
Sometimes being away, on location, I feel like I'm away for much of my own life. I want to be better at staying connected.
Maybe it's just getting older, but I don't want to miss things.
I feel that TV and film feed off each other well. It's more in the perception of the viewer than it is of the actor.
You can perfect genius because genius is not perfection. On his level and his practice and his methodology, it's almost inhuman. So, that's been a fantastic arc to play, and boy does it go somewhere in this series [of Sherlock Holmes].
I'm aware of [Doctor Strange] place within the comic pantheon of it all, the Marvelverse, but I don't email saying, "When are we doing next film?" I'm excited to see.
My dad read The Hobbit to me originally when I was young. So, it was the first imaginary landscape I ever had in my head from the written word. It gave me a passion for reading, thanks to my dad's performance of the book.
I was very nervous about doing the Entertainment Weekly cover, because I thought, "Okay, this is the first taste, this is the first visual moment." By then I obviously knew a lot of the more iconic moments in his comic history, but still it's me. It's not a drawing, it's not an artist; it's me and I'm kinda frightened, but it seemed to go down.
I'd love to meet Julian [Assange], and time permitting, and his will permitting, I'm sure it will happen at some point. Even though he's been very critical of the film [The Fifth Estate], he's been very polite about me and my work, and I feel the same way about him.
Even in cerebral roles that are seemingly intelligent and nothing else, I think it's so important to wrap your characterization in a physical form as well.
There are things that are a given, that you've already established, and obviously, visually, certain iconic things that can't be completely removed, like a certain hat or a certain coat in my case.
It's very easy to be cynical about any kind of interference in things that are beyond our skill set.
I think the characters are supposed to be an open book, blank canvas.