Benedict Cumberbatch
Benedict Cumberbatch
Benedict Timothy Carlton Cumberbatch CBE is an English actor and film producer who has performed in film, television, theatre and radio. The son of actors Timothy Carlton and Wanda Ventham, he graduated from the University of Manchester and continued his training at the London Academy of Music and Dramatic Art, obtaining a Master of Arts in Classical Acting. He first performed at the Open Air Theatre, Regent's Park in Shakespearean productions and has portrayed George Tesman in Richard Eyre's revival...
NationalityEnglish
ProfessionMovie Actor
Date of Birth19 July 1976
CityLondon, England
There are things that are a given, that you've already established, and obviously, visually, certain iconic things that can't be completely removed, like a certain hat or a certain coat in my case.
It's very easy to be cynical about any kind of interference in things that are beyond our skill set.
My dad read The Hobbit to me originally when I was young. So, it was the first imaginary landscape I ever had in my head from the written word. It gave me a passion for reading, thanks to my dad's performance of the book.
I was very nervous about doing the Entertainment Weekly cover, because I thought, "Okay, this is the first taste, this is the first visual moment." By then I obviously knew a lot of the more iconic moments in his comic history, but still it's me. It's not a drawing, it's not an artist; it's me and I'm kinda frightened, but it seemed to go down.
I'd love to meet Julian [Assange], and time permitting, and his will permitting, I'm sure it will happen at some point. Even though he's been very critical of the film [The Fifth Estate], he's been very polite about me and my work, and I feel the same way about him.
Even in cerebral roles that are seemingly intelligent and nothing else, I think it's so important to wrap your characterization in a physical form as well.
I think the characters are supposed to be an open book, blank canvas.
[Season 4 of Sherlock Holmes will be] myopically dark. You're talking about the end of the universe darkness. You can't see in front of you and would walk into everything dark.
I'm very excited about all the offers and interest and support pouring in through crowd-funding, and about having a lovely gap coming up when I'll finally be able to sit down with books and scripts and talk to my partners about how we take the company [SunnyMarch] forward.
[Doctor Strange] is a really rich character. It's an easy thing to have a good old meal every day. It's great. Yeah, I'm excited.
There are very specific demands, though, in television, and you notice the budget constrictions. It's the time constraint and a purse constraint more than anything else that you notice. But the ambition of the writing and, hopefully, the delivery of it gets better and better because we want to outdo ourselves to keep ahead of a very expectant and hungry public.
It's one of the things that attracted me to the role [Doctor Strange] is the fact that it's a really widely origin story, I mean this is part of it, but of course there's the whole chapter before where he's the neurosurgeon who has the accident. It's fantastic.
There's another weight of us being in the public eye, which is this presumption that, because your work and your promotion work is very public, your private life should be, too.
I've never done a lead role in a film this big [like Doctor Strange], in a franchise this big. One of the reasons was, I wanted to know what the toy box was like. And it's just insane, the amount of facility that everyone gets, but the amount of artistry and craft that's brought to every aspect of filmmaking. I mean, you go to your first costume fitting and it's one of thirty. It's a myriad, but it's for a reason. There are so many incredible costumes in this.