Bennett Miller
Bennett Miller
Bennett Milleris an American film director, known for directing the acclaimed films Capote, Moneyball, and Foxcatcher. He has been nominated twice for the Academy Award for Best Director...
NationalityAmerican
ProfessionDirector
Date of Birth30 December 1966
CityNew York City, NY
CountryUnited States of America
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He can't put on a uniform and go to work. He cannot be conventional. But you can see in the movie -- he has a very positive and optimistic attitude, though there is evident frustration and anger.
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The market creates conventionality and conformity, but that's not really what people want to see.
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Capote was an enormously and dangerously ambitious, talented, conflicted guy who really concealed himself from the public. He was at once a very public figure and a very private figure. And this is a movie that sort of peels back the public mask and gets into the heart of darkness.
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It was the perfect gift for Perry, who saw himself, like Thoreau, as an outsider persecuted by society. It made him feel good about himself, which is just what Capote wanted.
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He'd done lead in two other movies that didn't ever catch on. I think he wanted to be more involved and help apply some of the lessons that he'd learned.
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Philip insisted it would be wrong for him to break down and be so emotional. But, of course, when we rolled camera, he proceeded to do exactly what he'd argued against. It's what makes his performance feel so real. When he entered a scene, he was no longer thinking like an actor. He was thinking like Truman Capote would think.
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It's more evidence that it's about the heart of the thing more than the magnitude of it. Not a David and Goliath thing. Small films, big films, it's not the size of the film that matters.
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I think I am missing a gene that most people have to enable them to feel happiness about success and these kind of things.
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Every relationship probably has, at its inception, a hundred things that you could pick on and divert you from it, but the feeling is there. You figure out a way to make it work.
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It's great making a film and having it embraced and seen. I really enjoy that.
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People are attracted to entertainment, for sure, or jokes, excitement and romantically heightened stories that might be false, but are still attractive fantasies.
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We decided to do something completely different. Writing is the loneliest job in the world. I wanted to capture that solitude. Writers spend a lot of time alone in a room just typing away, and this is the first movie to really show how a writer works.