Bertolt Brecht
Bertolt Brecht
Eugen Bertolt Friedrich Brechtwas a German poet, playwright, and theatre director of the 20th century. He made contributions to dramaturgy and theatrical production, the latter through the tours undertaken by the Berliner Ensemble – the post-war theatre company operated by Brecht and his wife, long-time collaborator and actress Helene Weigel...
NationalityGerman
ProfessionPlaywright
Date of Birth10 February 1898
CityAugsburg, Germany
CountryGermany
It was never decreed that a god mustn't pay hotel bills.
The mill wheel turns, it turns forever, though what is uppermost remains not so.
Today every invention is received with a cry of triumph which soon turns into a cry of fear.
People are too durable, that's their main trouble. They can do too much to themselves, they last too long.
One must live well to know what living is.
Then I will tell you something. I do not believe in it. Forty years among men has consistently taught me that they are not amenable to common sense. Show them the red tail of a comet, fill them with black terror, and they will all come running out of their houses and break their legs. But tell them one sensible proposition and support it with seven reasons, and they will simply laugh in your face
...it is simplicity that is difficult to make.
For time flows on, and if it did not, it would be a bad prospect for those who do not sit at golden tables. Methods become exhausted; stimuli no longer work. New problems appear and demand new methods. Reality changes; in order to represent it, modes of representation must also change. Nothing comes from nothing; the new comes from the old, but that is why it is new.
Who has good luck is good, Who has bad luck is bad.
Some party hack decreed that the people had lost the government's confidence and could only regain it with redoubled effort. If that is the case, would it not be be simpler, If the government simply dissolved the people And elected another?
Boy Meets Girl, So What?
It’s all right to hesitate if you then go ahead.
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
A theater without beer is just a museum