Bill Murray
![Bill Murray](/assets/img/authors/bill-murray.jpg)
Bill Murray
William James "Bill" Murrayis an American actor, comedian, and writer. He first gained exposure on Saturday Night Live, a role which earned him his first Emmy Award and later went on to star in comedy films, including Meatballs, Caddyshack, Stripes, Tootsie, Ghostbusters, Scrooged, Ghostbusters II, What About Bob?, and Groundhog Day. He also co-directed Quick Change...
NationalityAmerican
ProfessionMovie Actor
Date of Birth21 September 1950
CityWilmette, IL
CountryUnited States of America
If I run into someone on the street, that's one thing. But answering mail for a living? I like a job where you can play and act kind of goofy and have some fun.
I will be in Orlando during the atheist convention to do my best to counter the assaults upon Christ of the atheists. I also plan on running a large newspaper ad in the Orlando Sentinel addressed to the atheists and warning the Orlando area of the atheists' vile plans for their children.
If you have a good script, that's what gets you involved. It's harder to write a good screenplay than to find something.
Something wild can happen to anybody and I caution anybody that walks out on the street, just settle your accounts before you leave the house every day.
I'd sort of gone through some sort of spiritual change in the late 70s where I sort of saw there was some other life to live. It changed the way that I worked just having a different presence and a different tension.
When I started, the scripts weren't as good, and you'd have to have a huge burst of energy to go, "Sheesh, how am I going to? This stuff's no good." So you'd have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining? Nowadays, the scripts are just so much better, that you don't have to feel that way. You feel like the script's coming to you, you can just relax. You don't have to drive the boat.
Different vodkas have different effects. Some make you feel a little...poly-lingual. Some make you feel like you want to talk back to someone who's giving you a hard time. Some make you feel like lifting kettle bells.
I'm just an obnoxious guy who can make it appear charming, that's what they pay me to do.
I improvise whenever I feel it's important, or whenever I think that something's there. It's nice to have a script that's so well-written that I don't have to improvise. I mean, I used to have to re-write whole movies; this is kind of nice.
Melancholy is kind of sweet sometimes, I think. It's not a negative thing. It's not a mean thing. It's just something that happens in life, like autumn.
I love the financing. It's fun to do studio movies, too. I think you should do both. You don't want to be this, "He's an independent film guy." It sounds like, "He makes his own dresses."
If it starts to drag on set, or if you feel like it's not a fun experience, people get down, the energy gets down. You've got to keep the energy up.
The only good thing about fame that I've gotten is I've gotten out of a couple of speeding tickets. I've gotten into a restaurant when I didn't have a suit and tie on. That's really about it.
The automatic things you do are basically those things that keep you from doing the better things you need to do.