Bill Murray
Bill Murray
William James "Bill" Murrayis an American actor, comedian, and writer. He first gained exposure on Saturday Night Live, a role which earned him his first Emmy Award and later went on to star in comedy films, including Meatballs, Caddyshack, Stripes, Tootsie, Ghostbusters, Scrooged, Ghostbusters II, What About Bob?, and Groundhog Day. He also co-directed Quick Change...
NationalityAmerican
ProfessionMovie Actor
Date of Birth21 September 1950
CityWilmette, IL
CountryUnited States of America
If people really want to find you, they find you.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
I don't want to be that guy mumbling into his drink at a bar.
If you walk up to some random person on the street, grab them by the shoulder, and say 'Did you just see what I saw?!', you'll find that no-one wants to talk to you.
To people who want to be rich and famous, I'd say, "Get rich first and see if that doesn't cover it."
I think we're all sort of imprisoned by - or at least bound to - the choices we make... You want to say no at the right time and you want to say 'yes' more sparingly.
I kinda like this Jay-Z thing, where he's retired, but he keeps doing shows. I think I beat him to that. If you say you're retired, people don't bother you so much, and then if you want to do something, you can do it.
You want my dark side? Have I ever stolen anything? Not so much intentionally. But I don't think it's so much stealing as... being a part of the flow of the universe. You know, where there's an exchange. It's positive. It's negative. There's an exchange of goods and services
I don't want to have a relationship with someone if I'm not going to work with them.
No one really wants to admit they are lonely, and it is never really addressed very much between friends and family. But I have felt lonely many times in my life.
If you have a good script, that's what gets you involved. It's harder to write a good screenplay than to find something.
Something wild can happen to anybody and I caution anybody that walks out on the street, just settle your accounts before you leave the house every day.
I'd sort of gone through some sort of spiritual change in the late 70s where I sort of saw there was some other life to live. It changed the way that I worked just having a different presence and a different tension.
When I started, the scripts weren't as good, and you'd have to have a huge burst of energy to go, "Sheesh, how am I going to? This stuff's no good." So you'd have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining? Nowadays, the scripts are just so much better, that you don't have to feel that way. You feel like the script's coming to you, you can just relax. You don't have to drive the boat.