Bob Dylan
![Bob Dylan](/assets/img/authors/bob-dylan.jpg)
Bob Dylan
Bob Dylanis an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left...
ProfessionFolk Singer
Date of Birth24 May 1941
CityDuluth, MN
Whenever anybody does something in a big way, it's always rejected at home and accepted someplace else.
Once I can focus in on something, I just play it in my mind until an idea comes from out of nowhere, and it's usually the key to the whole song. It's the idea that matters. It's like electricity was around long before Edison harnessed it.
Most songs have bridges in them, to distract listeners from the main verses of a song so they don't get bored. My songs don't have a lot of bridges because lyric poetry never had them.
Everything's a business. Love, truth, beauty. Conversation is a business. Spirituality is not a business, so it's going to go against the grain of people who are trying to exploit other people.
You travel the world, you go see different things. I like to see Shakespeare plays, so I'll go - I mean, even if it's in a different language. I don't care, I just like Shakespeare, you know. I've seen Othello and Hamlet and Merchant of Venice over the years, and some versions are better than others. Way better. It's like hearing a bad version of a song. But then somewhere else, somebody has a great version.
Being singer is different than being an actor, where you call up sources from your own experience that you can apply to whatever Shakespeare drama you're in. But an actor is pretending to be somebody, a singer isn't. And that's the difference. Singers today have to sing songs where there's very little emotion involved. That and the fact that they have to sing hit records from years gone by doesn't leave a lot of room for any kind of intelligent creativity.
I need all kinds of songs - fast ones, slow ones, minor key, ballads, rumbas - and they all get juggled around during a live show. I've been trying for years to come up with songs that have the feeling of a Shakespearean drama, so I'm always starting with that.
I always thought the best kind of sunglasses are the motorcycle helmets with the black plastic masks on them. That way, nobody can recognize the back of your head either.
I used to play hockey when I was growing up. Everyone sort of learns how to skate and play hockey at an early age.
I'm good with songs I haven't written, if I like them. I'm glad I didn't write any of them. I already know how they go, so I have more freedom with them. I understand these songs. I've known them for 40 years, 50 years, maybe longer, and they make a lot of sense. So I'm not coming to them like a stranger.
It's always disappointing when people decide for one reason or another that they don't like your work anymore, but you can't try to please people, because then you're just going to be doing - you'll never live it down, y'know it'll always be dogging you around - you might be being a fake about the whole thing.
People have different emotional levels. Especially when you're young. Back then I guess most of my influences could be thought of as eccentric. Mass media had no overwhelming reach so I was drawn to the traveling performers passing through.
It's not important what other people call you. If you yourself know you're a fake, that's tougher to live with.
What politics I ever learned, I learned in the streets, because it was part of the environment.