Bob Dylan
Bob Dylan
Bob Dylanis an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left...
ProfessionFolk Singer
Date of Birth24 May 1941
CityDuluth, MN
You have to work out where your place is. And who you are. But we're all spirit. That's all we are, we're just walking dressed up in a suit of skin, and we're going to leave that behind.
Once you think you know the song, then you have go and see how other people have done it.
I can picture the color of the song, or the shape of it, or who it is that I'm trying to appeal to, in the song, and what I'm trying to, almost, reinforce my feelings for. And I know that sounds sort of vague and abstract, but I've got a handle on it when I'm doing it.
There are degrees of happiness. You go from one to the other and then back again. It's hard to be completely happy when those around us are suffering and groaning from hunger.
People think that singing and playing is easy. It's not. It's easy to strum along, but if you actually want to really play, where it's important, that's a hard thing and not too many people are good at it.
In my childhood everything you heard, you could imagine what it looked like. Even singers that I would hear on the radio, I couldn't see what they looked like, so I imagined what they looked like. What they were wearing. What their movements were. Gene Vincent? When I first pictured him, he was a tall, lanky blond-haired guy.
I think of rock 'n' roll as a combination of country blues and swing band music, not Chicago blues, and modern pop.
We don't see the people that vice destroys. We just see the glamour of it - everywhere we look, from billboard signs to movies, to newspapers, to magazines. We see the destruction of human life.
People's lives are filled with vice and the trappings of it. Ambition, greed and selfishness all have to do with vice. Sooner or later, you have to see through it or you don't survive.
I like the fans, but I don't feel an obligation that I have to be an example to them, like say maybe a baseball player would, or a football player or maybe some other type of musicians. I don't feel I have to really set an example that somebody else has to live up to.
I come from way north. We'd listen to radio shows all the time. I think I was the last generation, or pretty close to the last one, that grew up without TV.
People talk about Frank [Sinatra] all the time - and they should talk about Frank - but he had the greatest arrangers. They worked for him in a different kind of way than they worked for other people. They gave him arrangements that are just sublime on every level. And he, of course, could match that because he had this ability to get inside of the song in a sort of a conversational way. Frank sang to you, not at you, like so many pop singers today. Even singers of standards.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.