Brad Holland
Brad Holland
John Bradley "Brad" Hollandis a retired American professional basketball player. He played for four years at UCLAand was the 14th player taken in the first round of the 1979 NBA Draft by the Los Angeles Lakers. He served as a member of the 1980 NBA L.A. Lakers championship team. He was the University of San Diego head basketball coach until March 2007. On April 25, 2007, he was named as one of three finalists to become the new head coach...
NationalityAmerican
ProfessionArtist
CountryUnited States of America
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You knew they had to shoot a 3. You don't care if they drive by you. We wanted our hands high without fouling. Travis just grabbed the ball and it was game over.
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We go down to Baton Rouge every year and are excited about going again. If we advance to a regional, this is generally the place that we play. It will be good to put our kids in that type atmosphere. Right now, we are concerned about our performance and improvement.
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We put ourselves in position to win the game, and we closed out an opponent.
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We're ecstatic. We lost four in a row at the end of the regular season and we've done an outstanding job to win two straight games here to earn the right to play Gonzaga. And . ... . we . ... . are . ... . excited.
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We are not a very good ball team right now. I am concerned about some things that happened during the game that need to be corrected. Like I told the team, you are never as bad as you are and are never as good as you think you are. This was certainly a wake-up call.
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Surrealism: An archaic term. Formerly an art movement. No longer distinguishable from everyday life.
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Your biggest influences are the earliest ones. When I was young, I was very influenced by the short stories of Nathaniel Hawthorne.
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Fifty years ago, it was the dream of every bohemian artist to be seen getting out of a limousine wearing blue jeans and sneakers. Today, it's the dream of probably half the people in the country.
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The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.
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Style is the most valuable asset of the modern artist. That's probably why so many styles are reported lost or stolen each year.
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In aristocratic societies, rich people used to commission exquisite paintings for their walls.
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Political art expresses the cliches you agree with, unlike propaganda, which expresses the cliches you don't.
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I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.
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Many people decorate their homes with designer graffiti, even though most of them would probably have real graffiti scoured off the walls of their buildings.