Brian Cox
Brian Cox
Brian Denis Cox, CBEis a Scottish actor who works with the Royal Shakespeare Company, where he gained recognition for his portrayal of King Lear. He is also best known for appearing in The Bourne Identity, The Bourne Supremacy, X2, Braveheart, Rushmore, Rise of the Planet of the Apes, Troy and Doctor Who. He was the first actor to portray Hannibal Lecter on film in the 1986 feature film Manhunter...
ProfessionMovie Actor
Date of Birth1 June 1946
CityDundee, Scotland
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The hardest thing to do in movies is be a day-part player. You have to go in, make your mark, and get out. There's a lot of leading actors who are not good for a lot of a movie, and then suddenly they have good moments, and they're like stepping-stones across a particularly feisty stream. They build careers out of that.
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I always think I look like the Elephant Man - I can't get used to my own image.
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Unlike New Zealand, which has nothing especially predatory, Australia is full of spiders and crocodiles and all kinds of animals that will eat you and sting you.
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Ah, there's a director. Astonishing, Spike Lee. A feisty guy, but a guy who's, I think, incredibly misunderstood. I think people review his politics or his color as opposed to his filmmaking sometimes. Because he's a wonderful, wonderful filmmaker and a lover of the art.
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The heritage of a British actor revolves around the challenges of playing the classic roles to meet certain levels of success as an actor. In America, the heritage of an actor is based on cinema mainly.
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Charles Laughton, who's a great hero of mine, only ever made one film and it happens to be one of the great films ever, which is 'The Night of the Hunter.' It's full of his kind of imagination and creation and how you do things and just in the way he used the studio, I just thought it was a fantastical way of using the studio.
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I actually went to see 'Rushmore,' and I came late, and I missed myself. It was great, that scene. I caught that scene the other day on TV, funny enough, the first scene that you see with Jason Schwartzman and myself, where we talk about his grades. That's a brilliant scene, and I have to say, we play it brilliantly.
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I used to do a lot of fencing in the theater and a lot of horse riding in the early days, so I'm used to it in a way. If you're classically trained like I am, it's a little bit like mother's milk to me. I enjoy it.
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My mother Molly had a nervous breakdown after my father Chic died, aged 50. He was a very generous man who ran a shop in Dundee giving a lot of people tick. When he died, a lot of people hadn't paid their bills, so he died with a lot of debt. After he died, my mother went doolally.
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There are characters that have made me uncomfortable. I did a film called 'Rob Roy,' and I played Killearn, who was this sort of greasy fallen-angel character who was voyeuristic and sleazy and really unpleasant. It was a great role, but I didn't especially enjoy living with this awful man for the length of time it took to make the movie.
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I'm 100% Celt. In fact, I'm directly related to the progenitor of the high kings of Ireland, Niall of the Nine Hostages.
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There's so much light in Broughty Ferry. I think the humour in Glasgow is darker, because it's much more gloomy, there's a perpetual misery there.
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I think I must be the only British actor who's played both Stalin and Trotsky. I need to play Lenin so I can make it a triptych.
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For me, it's just acting. It's pretending. The best actors are children, and children don't do research. You never see a child going, 'I'm wondering about my motivation here. How can I do this toy? How can I do this train? I don't feel train.'