Brian McKnight
![Brian McKnight](/assets/img/authors/brian-mcknight.jpg)
Brian McKnight
Brian McKnightis an American R&B singer-songwriter, arranger, producer, and musician. He is a multi-instrumentalist who plays eight instruments including piano, guitar, bass guitar, percussion, trombone, tuba, flugelhorn and trumpet. He is one of the very few leggiero tenors in the pop genre. McKnight is perhaps most recognized for his strong falsetto and belting range. McKnight's work has earned him 16 Grammy Awards nominations, though he has never won. He is second only to Snoop Dogg for the record of most...
NationalityAmerican
ProfessionR&B Singer
Date of Birth5 June 1969
CityBuffalo, NY
CountryUnited States of America
I used to play pianos in bars. You know in hotels, you'd see guys playing piano with a snifter? That was me, with a painted-on mustache. I was about 15.
As I've gotten older, now I've really got to back that up with record sales. Anytime showed me that I could still have some of those elements I wanted, but you still have to come with hit after hit after hit.
I write about moments, and I don't make blanket statements about anything because no one has all the answers; nobody's come up with a foolproof way to do anything when it comes to emotions.
My fans are the best in the world! They've grown up with me and stayed with me through this entire journey.
I was probably six years old when I first sang before an audience.
You can't listen to what people who aren't musical have to say. When Anytime was released, I had bad reviews, and at first I was hurt. Your songs are like your children. You don't want to hear, 'Your kid is ugly.' But I knew the record was good and it would sell.
Every song that I've done is me in one way or another.
Music used to be essential and meaningful, but now it's disposable.
I'm constantly being courted by labels and their backing. Obviously the market is there when you talk about the economics and the numbers, but it's hard to give up the freedom of being able to do whatever you want.
The hardest thing to do in this business is to still be around. When music changes, when labels' resources have dried up, it becomes harder and harder to continue to make a living at this.