Brian Michael Bendis
Brian Michael Bendis
Brian Michael Bendis is an American comic book writer and former artist. He has won critical acclaim, including five Eisner Awards for both his creator-owned work and his work on various Marvel Comics books...
NationalityAmerican
ProfessionArtist
Date of Birth18 August 1967
CountryUnited States of America
character heart men
I obviously love those characters [Avengers] with my whole heart. I was on a one-man "Luke Cage is cool" campaign for most of the Aughts. When we announced the New Avengers line-up, and Luke Cage and Spider-Woman were there, a lot of fans went, "WHAT?!?!?! Bulls - t!" And I had to prove myself. They were right: I can't just announce they're cool. What's less cool than that? I have to show that they're cool! But this is way farther than I ever thought it would go.
kings taken character
The other cool thing is, even with Jessica [Johnson], or Daredevil, I had taken a break from those characters for a while in the comics, so I can enjoy the shows without the agita. I completely love the Daredevil show. I feel no physical connection to it, because it was 10 years ago since I wrote that comic, so I can just enjoy it. And when people connect it in a positive way to me, I go, "Well, that's very f - king flattering!"
book character emotional
I see this with experienced writers, too: They worry so much about the plot that they lose sight of the characters. They lose sight of why they are telling the story. They don't let the characters actually speak. Characters will start to dictate the story in sometimes surprising, emotional, and funny ways. If the writers are not open to those surprises, they're going to strangle the life, spark, or spirit out of their work.
character fighting stories
You can't just have a fight scene. In my opinion, it has to be a character moment or story moment.
girl book tanks
I looked at Tank Girl, which is the coolest comic, ever. The movie didn't make the comic book any less cool. The comic is still the comic.
children sick people
I'll never get sick of raising my children, but other people might get sick of them.
book ego stuff
The books are the books, and a lot of the stuff is some version of your id or your ego.
people say-anything common
The one thing that Jessica [Johnson] and Miles[Morales] have in common is that there's a great many people in the audience who were desperate for that kind of material. They didn't say anything, didn't tell anybody.
men people listening
I was listening to the inclusiveness of Spider-Man, and why he's so appealing to so many people, but I didn't connect it all at first.
fun college self
It was a very excellent day over there at HBO/Cinemax when they bought 'Powers' . I felt like I graduated television college, because they make amazing television. The person who said yes to Veep said yes to us, which made me feel very good about myself for five seconds. Which my self-loathing doesn't usually allow me to feel. Even I could not say that that wasn't a fun day.
nice cutting men
I was there when Sam Raimi showed Stan Lee the first cut of the first Spider-Man movie. I was on a couch next to Stan, watching how special effects had finally caught up to his imagination. It was insane. And I'm thinking, "He had to wait until he was 80 years old for that to happen." When they announced Powers and Jessica Jones, I thought, "Oh, that's nice!"
years waiting saws
I don't take it for granted, because I saw the fruits of Stan's [Lee] 50-year labor, and I didn't have to wait 50 years myself.
beautiful believe eye
I couldn't take my eyes off of Stan [Lee]! As good as the movie is, all I could think about is, "What's he thinking?" So the movie ended, and then he, very whimsically, expressed all of his feelings about how long he waited, and how the TV shows in the '70s were all, "If only they could do this," and now they could. And he didn't get choked up and blubbery, but he was moved. Like, "Ohmigod, it happened while I was alive." And I can't believe I got to see that. He was very raw. It was quite beautiful.
unique voice drawing
From my personal taste, it needed more of a visual style. It's so hard when you're adapting something that's so visually scrumptious like Mike Oeming's drawings. They're so unique to comics, but they're a voice.