Brit Marling
Brit Marling
Brit Heyworth Marlingis an American actress, screenwriter and film producer. She first gained recognition in 2004 with the documentary Boxers and Ballerinas and later became a Sundance star with the Searchlight movies Sound of My Voice, Another Earthand The Eastwhich she co-wrote in addition to playing the lead role...
NationalityAmerican
ProfessionMovie Actress
Date of Birth7 August 1983
CityChicago, IL
CountryUnited States of America
When you come out to L.A. to make movies or to do this kind of work, everybody is coming out on their own and you leave your tribe behind. Then, it's a question of, that was your tribe by blood, and now, what is the tribe that you're making by choice or by what you think is important? I think we were having that experience, so somehow the cult world seemed really compelling.
I'd love to do anything that is outside of my comfort zone, that I've never done before. Whenever I think about something that I want to take on, I like it if it makes me a bit nervous, or makes me feel like I don't know exactly that I can pull it off.
I think movies do change people's hearts.
I totally love my job, and I wake up every day basically thinking about how can I do my job better. It never feels like a job. It's hard, and it's exhausting sometimes, but it never feels like - I would do this even if they didn't pay me to do it. That's a pretty amazing feeling.
I feel like success to me is about feeling like I have done something in storytelling, where I've gotten close to articulating something intangible that I'm feeling, and I think I get closer every time, but I don't know that I've done that yet.
Here's the thing that I think about life - if you manage to get into a space where you don't need that much, where the overhead of your life is not that great and you're pretty happy and relaxed without that much stuff, you are really liberated because you never have to say yes to something because you want another refrigerator or car!
I think I am looking as an actor to find ways to push myself into places I haven't been before as a human being.
I think one thing for sure that you learn the more films that you make is how important it is to choose your collaborators.
I think there is a general unrest or curiosity about what a human future is going to be like, and whether the way we're living is even sustainable.
I think sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical.
I think we're always looking for an excuse to connect.
I think we're scared of intimacy - all of us, a little bit.
A lot of people think, 'I'll give acting or poetry or filmmaking a try. And if it doesn't work out I'll go get a law degree, do something else that's more practical.' For me I went the reverse way. I lived the back-up plan.
I think I realized very early on that you can spend a lot of time constructing a really perfect scene in final draft and just end up throwing it away because you didn't figure out that mathematics of the story first.