Callie Khouri
Callie Khouri
Carolyn Ann "Callie" Khouriis a Lebanese American film and television screenwriter, producer, feminist, and director. In 1992 she won the Academy Award for Best Screenplay Written Directly for the Screen for the film Thelma & Louise, which was controversial upon its release because of its progressive representation of gender politics, but which subsequently became a classic...
NationalityAmerican
ProfessionScreenwriter
Date of Birth27 November 1957
CitySan Antonio, TX
CountryUnited States of America
The movie I've watched a million times is 'A Face in the Crowd,' directed by Elia Kazan, starring Andy Griffith and Patricia Neal. I first saw this movie, I guess I was in my early 20s. I'd never heard of it, and somebody told me about it, and I watched it and was just completely jaw-droppingly shocked at how current it was.
The world will provide you with every imaginable obstacle, but the one most difficult to overcome will be the lack of faith in yourself. Leave it to others to have doubts about you.
Always, in all circumstances, wear comfortable shoes. You never know when you may have to run for your life.
I like writing flawed women, and being one, its something I feel I can write with some veracity and authority.
Movie studios are owned by giant corporations. They care about money; they dont care about movies.
You can't do a movie without villains. You have to have something for the heroines or anti-heroines to be up against, and I wasn't going to contrive some monstrous female, but even if this were the most men-bashing movie ever made-let all us women get guns and kill men-it wouldn't even begin to make up for the 99% of all movies where the women are there to be caricatured as bimbos or to be skinned and decapitated. If men feel uncomfortable in the audience it is because they are identifying with the wrong character.
Would you have a friend who talks to you the way you talk to yourself?
When people know I wrote 'Thelma and Louise,' they don't want to mess with me.
For me, the movies I like are all independent. And getting an independent feature made, it's like you get down to the selling organs part, and it just loses some of its luster.
I don't see the country audience looking forward to an out male singer. There are rumors about people but no one ever confirms because there is a tremendous amount of money at stake.
Chick flick is not a term used to praise a movie. Nobody says 'it's a great chick flick.' It's a way of being derisive. I'm not clear why it's ok to do it.
One of the magical things about Nashville is just how many incredibly talented people are here and the way they support each other.
When you look around right now, Nashville is kind of going through another changing of guard; you're watching the Martina McBrides and the Faith Hills and all of them that have been the big stars for the last however many years, and the next generation is coming in: Miranda Lambert, Carrie Underwood, those girls.
We get the best people we can get and it turns out a lot of them are women. I've said this before If you hire people solely on their merit you wind up hiring a lot of women. I wonder how many other shows even come close to our numbers.