Cameron Mackintosh
![Cameron Mackintosh](/assets/img/authors/cameron-mackintosh.jpg)
Cameron Mackintosh
Sir Cameron Anthony Mackintoshis a British theatrical producer notable for his association with many commercially successful musicals. At the height of his success in 1990, he was described as being "the most successful, influential and powerful theatrical producer in the world" by the New York Times. He is the producer of shows such as Les Misérables, The Phantom of the Opera, Mary Poppins, Oliver!, Miss Saigon and Cats...
NationalityBritish
ProfessionMusic Producer
Date of Birth17 October 1946
glorious position redesign
I am in that glorious position where I can redesign and re-package my own work.
thinking average tunes
My own tastes happen to be in tune with what the public wants. I think that's the reason my batting average is so high, not because I've discovered some brilliant formula.
circumstances
Constrained circumstances can bring the best out of you.
thinking discipline achieve
Having a think about whether you can afford 'this' or 'that' is a good discipline to have, to maximise what you can achieve to the highest standard.
debt
I don't like being in debt, and I wouldn't borrow money for anything.
knows factors
I never know what is going to have that 'X' factor and what isn't.
taken shows gamble
I've taken considerable gambles on shows, but they're very considered gambles.
tired people too-much
If there's too much of you around, people can get tired of you.
giving musical buzz
The musical is the one area of the theater that can give you the biggest buzz of all.
cost regulation entrepreneurial
It horrifies me how much it costs to put on shows now, mainly due to EU regulations. The freedom to be entrepreneurial is no longer there. It's a massive business now.
needs new-me
What musicals need is a new me.
dream country islands
My dream is to be on my boat. Or on an island. Or in my house in the country. That's my dream.
goal producers
I had set a goal of being a producer by 25.
old-buildings smell soul
An old building is like a show. You smell the soul of a building. And the building tells you how to redo it.