Camille Paglia
Camille Paglia
Camille Anna Pagliais an American academic and social critic. Paglia has been a professor at the University of the Arts in Philadelphia, Pennsylvania, since 1984. The New York Times has described her as "first and foremost an educator". Paglia is known for her critical views of many aspects of modern culture...
NationalityAmerican
ProfessionActivist
Date of Birth2 April 1947
CountryUnited States of America
pushing argument fit
My argument has always been that nature has a master plan pushing every species toward procreation and that it is our right and even obligation as rational human beings to defy nature's fascism. Nature herself is a mass murderer, making casual, cruel experiments and condemning 10,000 to die so that one more fit will live and thrive.
art mind doe
Visionary idealism is a male art form. The lesbian aesthete does not exist. But if there were one, she would have learned from the perverse male mind.
pregnancy character sexuality
Pregnancy demonstrates the deterministic character of woman's sexuality.
science thunderbolts avert
Science cannot avert a single thunderbolt.
art sex eye
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.
depression smart careers
Despite popular opinion, there are no important parallels between Madonna and Monroe, who was a virtuoso comedienne but who was in secure, depressive, passive-aggressive, and infuriatingly obstructionist in her career habits. Madonna is manic, perfectionist, workaholic. Monroe abused alcohol and drugs, while Madonna shuns them. Monroe had a tentative, melting, dreamy solipsism; Madonna has Judy Holliday's wisecracking smart mouth and Joan Crawford's steel will and bossy, circus master managerial competence.
children father boys
When I was a child, my father taught me to put up my fists like a boy and to be prepared to defend myself at all times.
art western-culture cinema
Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
art giving soul
A society that forgets about art risks loslng its soul.
art honor criticism
The greatest honor that can be paid to the work of art, on its pedestal of ritual display, is to describe it with sensory completeness. We need a science of description. Criticism is ceremonial revivification.
order psychics biology
Despite crime's omnipresence, things work in society, because biology compels it. Order eventually restores itself, by psychic equilibrium.
science night light
Western science is a product of the Apollonian mind: its hope is that by naming and classification, by the cold light of intellect, archaic night can be pushed back and defeated.
spiritual vision way
Poetry is the way into a spiritual vision of society and the universe.
art numbers ignorant
The number one problem in academia today is not ignorant students but ignorant professors, who have substituted narrow "expertise" and "theoretical sophistication" (a preposterous term) for breadth and depth of learning in the world history of art and thought. ... Art is a vast, ancient interconnected web-work, a fabricated tradition. Overconcentration on any one point is a distortion. This is one of the primary reasons for the dullness and ineptitude of so much twentieth-criticism, as compared to nineteenth-century belles-lettres.