Carey Mulligan
Carey Mulligan
Carey Hannah Mulligan is an English actress. She made her acting debut on stage in London in the Kevin Elyot play Forty Winks in 2004. Mulligan's feature film debut was as Kitty Bennet in the 2005 film adaptation of Pride & Prejudice. Mulligan had early roles on British television in such programs as Bleak House, and Doctor Who. In 2008, Mulligan made her Broadway debut in a revival of Chekhov's The Seagull to critical acclaim...
NationalityEnglish
ProfessionMovie Actress
Date of Birth28 May 1985
CityLondon, England
When you idolise someone, or you hold someone in such high regard, you just want them to be everything that you think there are - and when they are it's just lovely.
It was my dream for years... to train. Dominic [Cooper] went and he's doing alright. But some people don't go and do brilliantly. Although I think there are things I missed from not having trained. I think I'd be more confident on stage had I gone because I think it means you're equipped with better vocal training and things like that.
I was quite straight-laced. I was quite academic until I was about 14 and then I went to boarding school where I had the opportunity to continue to be very academic, but got less interested in it and became more involved in acting. And then when I was applying for universities I used a couple of places on my UCAS form to apply for drama school without telling anyone... but didn't get into drama school. But that was the most rebellious thing I did
What doesn't draw you into a Coen Bros. movie. It's amazing. I can't believe it! They're the Coen Bros. It's ridiculous.
Sex addiction is a subject that should be discussed
I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.
I am committed to helping Alzheimer's Society in any way I can. My family and I rely on the help of organisations like Alzheimer's Society to help us understand the disease and guide us in the care of my grandmother. It's been a privilege to meet so many people with dementia.
It doesn't matter what you feel - ultimately, it's what the audience feels. You can finish a scene and think to yourself, 'Oh, God. I was so deep in that moment,' and find it just didn't play. I don't know if I have very good radar about that or not.
I don't know why people are so down on the Best Western. They have the best sweet potato fries I've ever had.
From Wall Street to Drive was almost a year, when I didn't do anything 'cause there was just nothing that was significantly different from the things I'd done before. There was just nothing to explore.
I want to play the fake child on 'To Catch A Predator.' No, wait! I want to play the Leaf Man!
I remember in 'Pride and Prejudice' I had to do a scene where I broke down. And before we filmed I spent like three hours imagining my mum's funeral. Actually, she's very much alive, happy and healthy. It was really horrible.
In London, people can be so... well, it's not even a case of people being unkind or unfriendly. You just don't make any contact in London. You go from A to B with your eyes on the pavement.
I grew up with an older brother, so I'm pretty good at being bashed around.