Carlton Cuse
Carlton Cuse
Arthur Carlton Cuseis an American screenwriter, showrunner and producer, best known as an executive producer and screenwriter for the American television series Lost, for which he made the Time magazine list of the 100 most influential people in the world in 2010. Cuse is considered a pioneer in transmedia storytelling...
NationalityAmerican
ProfessionTV Producer
Date of Birth22 March 1959
CountryUnited States of America
best episode finale implicit people somehow sort supposed
I can't say that the ending of a story is always the best part of the story, and yet there's sort of this implicit idea that the finale is somehow supposed to be the mind-blowing best episode of a show. The question is: Why is that? Why do people make that assumption?
breaking episode shows
The most difficult story that I've ever been involved in breaking on any of my shows was 'The Constant' episode of 'Lost,' which was when Desmond was consciousness-traveling.
episode finale odd ruined watch
This idea that you can watch a show like 'True Detective,' and it was awesome, but is it really ruined for you if the finale is not your favorite episode of it? It's just odd to me.
ambiguity analysis discussion lead problem room
I think we very much want to put those things into the show that lead to discussion and analysis and that's what makes the show engaging. It's not a show in which everything is spoon-fed to you, which is the problem with a lot of American television. There is room for ambiguity in this story.
accuse answer bold choice easy finding hatch people taking terms
I think we've made a bold choice in terms of how to answer that question. Some people will not like it, but I think a lot of people will like it, but no one will accuse us of copping out and taking the easy solution, or making a choice that is just confounding, like going into the hatch and finding another hatch.
crazy thinking always-trying
There are just so many options that people have. But as a writer, you'll drive yourself crazy, if you worry about that too much. People watch a lot of TV, so they think certain things are going to happen, and you're always trying to subvert expectations.
writing trying scripts
As hard as you try to write a good script and you have great intentions, this alchemy has to occur.
character able
You have to be able to get inside the heads of the characters and completely sympathize and understand them
dark tone made
The Following and Hannibal are really well made, but the tone is very consistently dark.
past notion
It's entirely possible that the notion of what is the past, what is the present and what is the future, could change.
tragedy storytelling form
Tragedy is a great storytelling form. It worked extremely well for Shakespeare. It worked extremely well for Jim Cameron with Titanic.
thinking giving television
I think that the best television now is giving you a three-act experience.
moving thinking stories
I think that we're moving into this new phase of television where audiences are really embracing stories with a beginning, middle, and end.
book artistic process
It's a very artistic process to translate and adapt a book into a series.