Carrie Brownstein
Carrie Brownstein
Carrie Rachel Brownsteinis an American musician, writer, actress, and comedian. She first came to prominence as a member of the band Excuse 17 before forming the punk-indie trio Sleater-Kinney. During a long hiatus from Sleater-Kinney, she formed the group Wild Flag. During this period, Brownstein wrote and appeared in a series of comedy sketches with Fred Armisen which were then developed into Emmy and Peabody Award-winning satirical comedy TV series Portlandia. Sleater-Kinney has since reunited and Brownstein is touring with...
NationalityAmerican
ProfessionGuitarist
Date of Birth27 September 1974
CitySeattle, WA
CountryUnited States of America
I would love to do a reunion tour if it only involved basements across the U.S.
Just invest in apps. Just download apps and then pay yourself the dividend.
I like to take things incrementally, and strive for something that feels more attainable.
Nothing is as nice as plugging in your guitar and turning up the volume really loud, just seeing what kind of beautiful noise you can make with it.
I would not call myself an optimist, even though I would aspire to be. I am innately a skeptic. There's kind of an incessant dissatisfaction that I have, that I'm always trying to either expose or fight against or wrestle with.
I like to connect with people through my work. That's my favorite way - meetings of the minds, fans at a show. Those are nice mediated ways of hanging out.
[I hate] the ways that people want their special needs to be met, whether it's their food allergies or their special lotions or shoes. Or the ways that people want their neighborhoods and restaurants curated in a way that's really tailored to them. Growing up with someone who was living by these very strict, repressive rules for themselves - it made me very allergic to the idea of denial.
To me, the grotesque is like a sonic manifestation of reality. I don't know how you could look out onto our world and see only beauty. And I like beautiful things. I like the aesthetically harmonious. But I am much more attracted to something that is off-kilter. It is a truer reflection of not only nature, but the human spirit - the state of the world. I just think everything feels a little off.
I'm really drawn to the uncompromising realness of natural process: It's unadorned. It's not very pretty.
I'm interested in the crevices, and the grotesque, and the unsavory. That started out when I was young. I've never quite been able to shake that.
I've always been interested in queerness and underground and fringe and periphery, and who and what flourishes in those spaces. Those spaces that are darker and dingier and more dangerous, more lonely. What comes out of there, to me, is the life force. I'm excited when the center reaches over to those places and pulls inspiration from them, and translates it for a lot of people.
To me, ugliness, grotesqueness - that's the essence [of life]. That's where you realize, it's not about all the consonance and the harmony. It's all the parts that are wrong that help explain why we're drawn to something - what the mystery is - just as much as the beautiful things.
What I value most in new music is strangeness, oddity. Passion. And humor. I listen to a lot of hip-hop because it combines so many things like that.
I think grief is a step towards strength because it allows you to be porous and take everything in, and have it transform you. What will sit within you is despairing, but at least it's feeling. You're not numb. Grief is sort of the allowance of feeling.