Chad Harbach
Chad Harbach
Chad Harbachis an American writer. An editor at the journal n + 1, he is the author of the 2011 novel The Art of Fielding...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
art trying want
Writers have the purity of their art and what they want to achieve with that, and that this purity is bound up with the messy material conditions of trying to make a living while doing that work.
book writing thinking
The idea of the writer who writes nineteen novels, with various ups and downs and levels of experimentation, isn't around so much now. There's a focus, I think, on fewer books, with more pressure on each book to succeed. With that there comes, I think, a certain pressure towards shapeliness in fiction. Towards neatness. And I think writers feel that, and it can effect how they write.
men telescopes want
You don't have to even see the common man anymore if you don't want to! Only through the telescope on your yacht.
sports stuff fans
It's very hard right now to be a pro sports fan. The economics of this stuff is abysmal.
book ideas dollars
Most writers, most books, you have no idea whether it was a dollar or a million dollars.
book writing two
I tended to write the book in these bursts of two or three months at a time. So I would know, or at least feel securely, that for the next few months I was at least going to have a few hours a day.
writing two three
For me, the process always has to be pretty intense. I could never write just two or three days a week. It had to be every day.
book space world
I feel like every time I start up, it's like a truck you have to get into 15th gear, so you very solely crank into that mental space where you feel really immersed in the world of the book and then you can just kind of go.
book topics strive
Most great books have been about striving in some sense. In a sense, money is the great topic of the novel. You couldn't necessarily say that about poetry.
running reality essence
Poetry might be more about the eternal verities, the essence of the human soul, and - although it's reductive to say so - fiction has perhaps been more about the differences between the unconstrained world of the imagination and the realities you run into, day-to-day, when you're riding your donkey.
real book thinking
I think the MFA programs have had a real effect on the state of American fiction, but I don't think it's a question of "this is written by someone with an MFA, and this isn't." I challenge anyone to identify a book in that way. It's totally impossible.
reading writing thinking
The effects of MFA programs, and the rise of creative writing instruction more generally, are far more diffuse than people think. Even if you're a writer who has avoided institutions your whole life, you're still going to be reading a lot of writers who have MFAs, and are affiliated with universities.
book thinking people
If you're part of any kind of writerly community, some of those people will have gone through MFA programs, and their thinking leaks into yours. So whatever changes MFAs have made to the culture, it's to the culture as a whole. It can't be pinned down to individual books in a way that some people would like to do.