Charles Ives
![Charles Ives](/assets/img/authors/charles-ives.jpg)
Charles Ives
Charles Edward Iveswas an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical...
NationalityAmerican
ProfessionComposer
Date of Birth20 October 1874
CityDanbury, CT
CountryUnited States of America
Charles Ives quotes about
Every great inspiration is but an experiment.
A song has a few rights the same as ordinary citizens... if it happens to feel like flying where humans cannot fly... to scale mountains that are not there, who shall stop it?
The word 'beauty' is as easy to use as the word 'degenerate.' Both come in handy when one does or does not agree with you
It is more important to keep the horse going hard than to always play the exact notes.
Is not beauty in music too often confused with something which lets the ears lie back in an easy chair?
In some century to come, when the school children will whistle popular tunes in quarter-tones--when the diatonic scale will be as obsolete as the pentatonic is now--perhaps then these borderland experiences may be both easily expressed and readily recognized. But maybe music was not intended to satisfy the curious definiteness of man. Maybe it is better to hope that music may always be transcendental language in the most extravagant sense
An apparent confusion, if lived with long enough, may become orderly . . . A rare experience of a moment at daybreak, when something in nature seems to reveal all consciousness, cannot be explained at noon. Yet it is part of the day's unity
Stand up and take your dissonance like a man.
If a poet knows more about a horse than he does about heaven, he might better stick to the horse, and some day the horse may carry him into heaven.
Beauty in music is too often confused with something that lets the ears lie back in an easy chair. Many sounds that we are used to do not bother us, and for that reason we are inclined to call them beautiful. Frequently, when a new or unfamiliar work is accepted as beautiful on its first hearing, its fundamental quality is one that tends to put the mind to sleep.
The fabric of existence weaves itself whole.
The future of music may not lie entirely in music itself, but rather in the way it encourages and extends, rather than limits the aspirations and ideals of the people, in the way it makes itself a part with the finer things that humanity does and dreams of.
My God! What has sound got to do with music?
All melodious poets shall be hoarse as street ballads, when once the penetrating keynote of nature and spirit is sounded-the earth-beat, sea-beat, heart-beat, which make the tune to which the sun rolls, and the globule of blood and the sap of the trees.