Charles Saatchi

Charles Saatchi
Charles Saatchiis a British businessman and the co-founder with his brother Maurice of advertising agency Saatchi & Saatchi. The brothers led the business – the world's largest advertising agency in the 1980s – until they were forced out in 1995. In the same year, the brothers formed a new agency called M&C Saatchi. Saatchi is also known for his art collection and for owning Saatchi Gallery, and in particular for his sponsorship of the Young British Artists, including Damien Hirst...
NationalityBritish
ProfessionEntrepreneur
Date of Birth9 June 1943
Being an art buyer these days is comprehensively and indisputably vulgar. It is the sport of the Eurotrashy, Hedge-fundy, Hamptonites; of trendy oligarchs and oiligarchs; and of art dealers with masturbatory levels of self-regard.
I primarily buy art to show it off.
Few people in contemporary art demonstrate much curiosity. The majority spend their days blathering on, rather than trying to work out why one artist is more interesting than another, or why one picture works and another doesn't.
When you see something special, something inspired, you realise the debt we owe great curators and their unforgettable shows - literally unforgettable because you remember every picture, every wall and every juxtaposition.
I have never cared enough about money to worry about spending it, and have been fortunate to make enough to be spoiled rotten.
There are no rules about investment. Sharks can be good. Artist's dung can be good. Oil on canvas can be good.
Artists need a lot of collectors, all kinds of collectors, buying their art.
I may not be much good at most things, but if I didnt have the pleasure of planning and installing shows, and doing it better than anyone else, I would have stopped buying art many years ago.
Lots of ambitious work by young artists ends up in a dumpster after its warehouse debut. So an unknown artist's big glass vitrine holding a rotting cow's head covered by maggots and swarms of buzzing flies may be pretty unsellable. Until the artist becomes a star. Then he can sell anything he touches .
Some people in the art world bemoan the hedge fund millionaires spending freely to acquire ostentatious displays of wealth and coolth for their giddily chic designer duplexes. Others bemoan art being treated as a commodity. But most of the bemoaning is because the art world is stuffed full of bemoaners, bemoaning about everything.
I have asked to have no funeral, and no memorial service. I hate other people's and would certainly not appreciate my own.
I've heard that almost all the people crowding around the big art openings barely look at the work on display and are just there to hobnob. Nothing wrong with that, except that none of them ever come back to look at the art - but they will tell everyone, and actually believe, that they have seen the exhibition.
I hate to sound like a romantic adolescent, but I believe artists don't generally see art as a career choice; they simply can't overcome their desire to make art, and will live on little income for as long as they have to, before they start to sell their work - or give up and get a paying job.
I have made so many mistakes, and such really stupid ones, I would start blubbing away if I could remember even half of them. But do not dwell on cock-ups, I say. You don't learn by your mistakes - at least I don't - so best to blunder on making fresh ones.